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A bi-lingual edition of Lida Yusupova's poetry.
The first English-language study of contemporary Russian poetry and its embrace of freedom—formally, thematically, and spiritually Since 1989 and the fall of the Berlin Wall, Russian poetry has exuded a powerful awareness of freedom, both aesthetic and political. No longer confined to the cultural underground, poets reacted with immediacy to events in the world. In The Freest Speech in Russia, Stephanie Sandler offers the first English-language study of contemporary Russian poetry, showing how these poems both express and exemplify freedom. This period was a time of great poetic flourishing for Russian poets, whether they remained in Russia or lived elsewhere. Sandler examines the work of ...
The 2nd edition of Encyclopedia of Violence, Peace and Conflict provides timely and useful information about antagonism and reconciliation in all contexts of public and personal life. Building on the highly-regarded 1st edition (1999), and publishing at a time of seemingly inexorably increasing conflict and violent behaviour the world over, the Encyclopedia is an essential reference for students and scholars working in the field of peace and conflict resolution studies, and for those seeking to explore alternatives to violence and share visions and strategies for social justice and social change. Covering topics as diverse as Arms Control, Peace Movements, Child Abuse, Folklore, Terrorism an...
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
In this comprehensive portrait of the women of Chechnya in modern war, Paul Murphy challenges conventional thinking on why they fight and are willing to kill themselves in the name of Allah. His book covers the two wars with Russia in 1994 and 1999 and the present conflict with Islamic Jihadists. It argues that these wars forced Chechen women to venture far beyond their traditional roles and advance their human rights but that the current movement championing traditional Islam is taking those rights away. Drawing on personal interviews, insider resources, and other materials, Murphy presents powerful portrayals of women who fight in the Chechen Jihad, including snipers, suicide bombers and the mysterious “Black Widows,” as well as women who collect intelligence, hide arms, and perform other non-combatant roles.
For victims of human rights violations, human rights defenders are like a beacon of hope shining through the darkness of oppression. Through their work for the protection and realisation of human rights, injustices by authorities are unmasked, public awareness is raised and democratic control is exercised. Their devotion to fighting human rights violations, often at the risk of their own lives, cannot be praised too highly. The colloquy "Protecting and supporting human rights defenders in Europe", held in Strasbourg under the auspices of the Council of Europe, proved an ideal opportunity for frank and constructive exchanges between representatives of civil society and governments from the 46 member states of the Council of Europe on the obstacles encountered by human rights defenders in their work and the responses by the Council of Europe and other international actors to their concerns. This volume contains all the contributions to the plenary session as well as the reports from the three workshops.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Poetry. Edited by Anastasiya Osipova. REPORTED SPEECH is a bilingual edition of Pavel Arseniev's (Saint Petersburg) poetry with an introduction by Kevin M.F. Platt (University of Pennsylvania). Arseniev's poetry provides a living link between the legacy of the 1920s Soviet avant-garde art and theory, on the one hand, and the modern Western materialist thought on the other. It traces how these influences become weaponized in the language of contemporary Russian protest culture. Arseniev readily politicizes all, even the most mundane facts of the poet's life, while approaching reified bits of found speech and propaganda with lithe, at times corrosive irony and lyricism.