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Feminisms in the Nordic Region
This book explores how feminist movements in the Nordic region challenge the increasing gender, race and class inequalities following the global economic crisis, neoliberal capitalism and austerity politics, and how they position themselves in the face of the rise of nationalism and right-wing populism. The book contextualizes these recent events in the long histories of racial and colonial power relations embedded in Nordic societies and their gender equality and welfare state regimes. It examines the role of whiteness and racism and seeks to decolonize feminist knowledge and genealogies of feminist movements in the region. The contributions provide in-depth knowledge on the different orientations, dilemmas and tactics that feminisms develop in these challenging times and show the centrality of antiracist and decolonizing critiques of feminisms. They further highlight the strategies of feminist and related antiracist and indigenous movements in regards to ideas about hope, solidarity, intersectionality, and social justice. Chapters 6, 7, 9 and 10 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
It Speaks to You
Based on a large pool of oral material as well as multiple Sámi museum collections, this book examines the connection between Sámi identities, duodji, sovereignty and Sámi heritage objects in museums. Traditionally, duodji has been defined as Sámi "craft", but in her work Finbog demonstrates how this definition is the result of a historical devaluation caused by multiple colonial strategies. She goes on to redefine the practice of duodji as an important Sámi epistemology of aesthetics and muitalusat [stories] centered within a system of relations that are expressed as bonds of kinship. Drawing on the concepts, paradigms and analytical tools created from this system of knowledge, Finbog ...
Mázejoavku
The book documents the history of the legendary Sámi artist collective Mázejoavku (1978-1983), and deals with the importance of the group historically and also in relation to other Sámi artists and Indigenous collectives and practitioners globally today. The Sámi Artist Group was the first generation of young Sámi artists to regain pride in their Sámi heritage, to express their Sáminess freely, and to reclaim a renewed space within Sápmi by advocating and negotiating Sámi thinking and being through the arts. The book is based on individual interviews and extensive research by author Susanne Hætta. In addition it includes a rich selection of archival photographic material, as well a...
In Good Relation
Over the past thirty years, a strong canon of Indigenous feminist literature has addressed how Indigenous women are uniquely and dually affected by colonialism and patriarchy. Indigenous women have long recognized that their intersectional realities were not represented in mainstream feminism, which was principally white, middle-class, and often ignored realities of colonialism. As Indigenous feminist ideals grew, Indigenous women became increasingly multi-vocal, with multiple and oppositional understandings of what constituted Indigenous feminism and whether or not it was a useful concept. Emerging from these dialogues are conversations from a new generation of scholars, activists, artists,...
Research Journeys In/To Multiple Ways of Knowing
Research Journeys in/to Multiple Ways of Knowing is an interdisciplinary collection of Indigenous research and scholarship that pushes boundaries of expectation and experience. While the topics are diverse, there are many points of affinity across the issues including themes of identity, advocacy, community, rights, respect, and resistance. The authors present counter-narratives that disrupt colonial authority towards multiple ways of knowing. Regardless of worldview or specialization, the chapters in this book have something to offer. Like the whorl of a spiral, the curve can be observed as traveling inward or outward. At different points in the conversations, the assertions may be congruen...
The Global Community Yearbook of International Law and Jurisprudence 2023
The Global Community Yearbook of International Law and Jurisprudence features an annual review of global issues and legal developments from international courts and tribunals. The 2023 edition explores threats to democracy and the environment, international reparations issues, the implications of the Russia-Ukraine and Israel-Palestine conflicts pertaining to international law, and the legality of the ECOWAS's intervention in Niger, among other topics.
Catnosat: Indigenous Art, Knowledge and Sovereignty
This "exercise in Sámification" highlights Sámi Indigenous knowledge across all fields of art and life In 2022, Sámi artists present their art and worldview at the Venice Biennale for the first time, representing Sápmi (the Sámi homeland that spans Scandinavia and the Kola Peninsula). The Sámi pavilion revolves around three key elements: transgenerational relations; holistic Sámi knowledge and learning; and Sámi spiritual perspectives. This slipcased spiralbound volume serves as a project in its own right, considering Sámi notions of nonlinear time and the centrality of storytelling and sound. Its three sections can be flipped around the spiral in any order, reflecting this nonlinear theme. The core of Catnosatfeatures the pavilion's artists, Pauliina Feodoroff, Máret Ánne Sara and Anders Sunna. The second section compiles a play, poems and stories expressing Sámi political and philosophical perspectives. A third section includes a dialogue with the artists; an essay highlighting Sámi knowledge creation across the ages; and a Sámi glossary.
Museums, Anthropology and Imperial Exchange
Amiria Henare explores the role of material cultural research in anthropology and related disciplines from the late eighteenth century to the present.
The Auto-Ethnographic Turn in Design
The Auto-Ethnographic Turn in Design' is emerging from a growing recognition of design?s capacity to make sense of one?s world while at the same time to express and convey this personal insight or knowledge through rich, layered, and ultimately meaningful processes or objects. Auto-ethnographic design seeks to come to terms with one?s context and self?as well as the materiality that mediates these two. In doing so, it offers a vision of design that is free of commercial commissions, assumed users? needs, or well-intentioned do-goodism, and reveals a sincerity and genuine commitment in the process of design that is too often missing.00The book is divided between ?Ideas and Dialogues? (reflections and conversations between critics, theorists, educators, and practitioners), which ground conceptions of auto-ethnography and the ?self? and explore how experiences can be relevant and meaningful starting points for design and visual art; and ?Projects and Practices,? which embody auto-ethnographic qualities?whereby design objects and practices are embedded with personal sentiments, experiences, desires, fears, and more.
The Extractive Zone
In The Extractive Zone Macarena Gómez-Barris traces the political, aesthetic, and performative practices that emerge in opposition to the ruinous effects of extractive capital. The work of Indigenous activists, intellectuals, and artists in spaces Gómez-Barris labels extractive zones—majority indigenous regions in South America noted for their biodiversity and long history of exploitative natural resource extraction—resist and refuse the terms of racial capital and the continued legacies of colonialism. Extending decolonial theory with race, sexuality, and critical Indigenous studies, Gómez-Barris develops new vocabularies for alternative forms of social and political life. She shows how from Colombia to southern Chile artists like filmmaker Huichaqueo Perez and visual artist Carolina Caycedo formulate decolonial aesthetics. She also examines the decolonizing politics of a Bolivian anarcho-feminist collective and a coalition in eastern Ecuador that protects the region from oil drilling. In so doing, Gómez-Barris reveals the continued presence of colonial logics and locates emergent modes of living beyond the boundaries of destructive extractive capital.
