Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Collecting Music in the Aran Islands
Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
On a Rock in the Middle of the Ocean
Individual desire and overcoming the rigors of social scrutiny are important factors in the development of an active public performer. In a special study of one song, Lillis O Laoire shows how the song itself emerges as a mediator of dilemmas and tensions of island life. In a meticulous exposition of the links between music, text, and performance, the vicissitudes of island life are revealed, while these tensions are alleviated by singing humorous ribald items to provide a deliberate contrast.
A Hidden Ulster
This book is the first major study of the Gaelic song tradition in an area which was the main center of literature in Leath Chuinn (the northern half of Ireland) from the end of the 17th century to the middle of the 19th century. Written in English, it gives text, source music, and the translation of 54 songs - mainly vision poems, laments, courtly love songs and the songs of the people. The collection includes material from recently discovered music manuscripts, which are reconnected here to their original texts. The catalogue section includes facsimile copies of unpublished dance tunes. As both a researcher and traditional singer, Ní Uallacháin gives a unique insight into her native Gaelic song tradition.
Singing Ideas
Considered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.
Becoming an Irish Traditional Musician
Coupling the narratives of twenty-two Irish traditional musicians alongside intensive field research, Becoming an Irish Traditional Musician explores the rich and diverse ways traditional musicians hone their craft. It details the educational benefits and challenges associated with each learning practice, outlining the motivations and obstacles learners experience during musical development. By exploring learning from the point of view of the learners themselves, the author provides new insights into modern Irish traditional music culture and how people begin to embody a musical tradition. This book charts the journey of becoming an Irish traditional musician and explores how musicality is learned, developed, and embodied.
Anáil an Bhéil Bheo
Anáil an Bhéil Bheo brings together a stimulating range of interdisciplinary essays considering the connections between orality and modern Irish culture. From literature to song, folklore to the visual arts, contributors examine not only the connections between oral and textual traditions in Ireland, but also the theoretical concept of “orality” itself and the corresponding significance of oral texts in Irish society. Featuring work by emerging scholars in the fields of history, literature, folklore, music, women’s studies, film and theatre studies and disciplines contributing to Irish Studies, this multifaceted volume also includes contributions from scholars long engaged with issues of orality such as Gearóid Ó Crualaoich and Henry Glassie.
Cattle in Ancient and Modern Ireland
Cattle have been the mainstay of Irish farming since the Neolithic began in Ireland almost 6000 years ago. Cattle, and especially cows, have been important in the life experiences of most Irish people, directly and/or through legends such as the Táin Bó Cuailnge (The Cattle-raid of Cooley). In this book, diverse aspects of cattle in Ireland, from the circumstances of their first introduction to recent and ongoing developments in the management of grasslands – still the main food-source for cattle in Ireland – are explored in thirteen essays written by experts. New information is presented, and several aspects relating to cattle husbandry and the interactions of cattle and people that have hitherto received little or no attention are discussed.
Music and Identity in Ireland and Beyond
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) ...
Twenty Years A-Growing
This is the story of a boy's growing up on the Great Blasket, a sparsely inhabited, Gaelic-speaking island off the coast of Ireland. It tells of the simple life of a society that no longer exists, with a humor and poetry refreshingly remote from the modern world that replaced it.
Inishowen
None
