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A White Rose at Midnight
On the cusp of independence, cultures collide in a bedroom in Singapore. As the Vietnam War rages on, the English-educated scholar Lee Hua Min—“the finest product of the University”—finds himself hopelessly disillusioned. Enter Wong Ching Mei, a Chinese-educated former nightclub singer seeking to enrol in Nanyang University. Mirroring the intense tussles between the English- and Chinese-speaking during Singapore’s formative years, Hua Min and Ching Mei trade ferocious barbs even as they are inexplicably drawn to each other. When Su-Ling, Hua Min’s ex-classmate, returns from London, Hua Min is torn between their advances and the extremely different worlds they inhabit. Humorous, witty and prescient, A White Rose At Midnight is a pithy portrait of a soul—and nation—divided. A White Rose At Midnight was first staged to critical acclaim by the Experimental Theatre Club in 1964. It was pioneer playwright Lim Chor Pee’s second and final play after the landmark Mimi Fan (1962). In 2014, Centre 42 mounted a partial dramatised reading of the play.
Denationalizing Identities
Denationalizing Identities explores the relationship between performance and ideology in the global Sinosphere. Wah Guan Lim's study of four important diasporic director-playwrights—Gao Xingjian, Stan Lai Sheng-chuan, Danny Yung Ning Tsun, and Kuo Pao Kun—shows the impact of theater on ideas of "Chineseness" across China, Taiwan, Hong Kong, and Singapore. At the height of the Cold War, the "Bamboo Curtain" divided the "two Chinas" across the Taiwan Strait. Meanwhile, Hong Kong prepared for its handover to the People's Republic of China and Singapore rethought Chinese education. As geopolitical tensions imposed ethno-nationalist identities across the region, these four dramatists wove together local, foreign, and Chinese elements in their art, challenging mainland China's narrative of an inevitable communist outcome. By performing cultural identities alternative to the ones sanctioned by their own states, they debunked notions of a unified Chineseness. Denationalizing Identities highlights the key role theater and performance played in circulating people and ideas across the Chinese-speaking world, well before cross-strait relations began to thaw.
The Routledge Concise History of Southeast Asian Writing in English
The Routledge Concise History of Southeast Asian Writing in English traces the development of literature in the region within its historical and cultural contexts, establishing connections from the colonial activity of the early modern period through to contemporary writing across nations such as Thailand, China, Malaya, Singapore and Hong Kong.
Asian Ethical Urbanism
- The author, having lectured widely on subjects relating to architecture and urbanism around the region, has in depth knowledge of Asian cities and their urban and architectural conditions - The book provides an alternative urbanism addressing the unprecedented urban explosion in the emerging non-Western economies and the increasingly prevalent post-modern conditions of pluralistic culture, tolerance of differences, fragmentation and chaotic order - The book presents a radical theory of Asian ethical urbanism, which transcends and discards the constraints and rigidity of modernist planning and situates its critical substances within the challenging conditions of Asian cities today
The World Encyclopedia of Contemporary Theatre
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
The World Encyclopedia of Contemporary Theatre
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Volume 5 covers Asia/Pacific. Entries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin.
Theatre and the Politics of Culture in Contemporary Singapore
Explores the vibrant relationships between theatre, cultural politics and social attitudes in a country whose history has many lessons for Western scholars.
An Unexpected Journey
This engrossing and engaging book tells the story of Singapore¿s President S.R. Nathan in his own words. It takes readers on a journey from Nathan¿s modest beginnings and his life as a runaway in Singapore and Malaya, through his experiences of the Japanese occupation, the birth of Singapore¿s modern trade union movement, and his time as Permanent Secretary, Executive Chairman of the Straits Times newspaper for a number of years, Singapore¿s High Commissioner in Malaysia, and as Ambassador to the United States, to the Presidential elections in 1999 and his tenure as Singapore¿s longest-serving President.
Singapore
On 9 August 2015, Singapore celebrated its 50th year of national independence, a milestone for the nation as it has overcome major economic, social, cultural and political challenges in a short period of time. Whilst this was a celebratory event to acknowledge the role of the People’s Action Party (PAP) government, it was also marked by national remembrance as founding Prime Minister Lee Kuan Yew died in March 2015. This book critically reflects on Singapore’s 50 years of independence. Contributors interrogate a selected range of topics on Singapore’s history, culture and society – including the constitution, education, religion and race – and thereby facilitate a better understand...
From Identity to Mondialisation
TheatreWorks is renowned for its daring, and sometimes controversial, productions. Since its inception the company has explored important social issues such as sexuality, censorship and oppression. The company also pioneered different types of productions; it introduced the black box theatre to Singapore and staged epic outdoor festivals in Fort Canning Park. This book, celebrating TheatreWorks 25th anniversary, charts the company’s evolution from a small theatre cooperative working from a terrace house to the well-respected innovator in the Singapore theatre community. From Identity to Mondialisation: TheatreWorks 25 is a stunning visual history of the company, featuring photography from many of TheatreWorks’ groundbreaking performances and quotes and anecdotes from members of the company, past and present.
