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Lin Shu, Inc.
How could a writer who knew no foreign languages call himself a translator? How, too, did he become a major commercial success, churning out nearly two hundred translations over twenty years? Lin Shu, Inc. crosses the fields of literary studies, intellectual history, and print culture, offering new ways to understand the stakes of translation in China and beyond. With rich detail and lively prose, Michael Gibbs Hill shows how Lin Shu (1852-1924) rose from obscurity to become China's leading translator of Western fiction at the beginning of the twentieth century. Well before Ezra Pound's and Bertolt Brecht's "inventions" of China revolutionized poetry and theater, Lin Shu and his assistants--...
Chinese Women in the Imperial Past
The present volume is the result of a Leiden University workshop on women in imperial China by a group of international scholars. In recent years Chinese women and gender studies have attracted more and more attention, and this book is one of the first efforts to focus on major aspects of this subject. It covers a wide range of topics and disciplines, including bibliography, demography, history, legal studies, literature, history of medicine, and philosophy. Chinese Women in the Imperial Past can rightly be seen as connected with the new Brill journal NAN NÜ, Men, Women and Gender in Early and Imperial China, which was founded to provide the scholarly community with a lasting forum in which the subject of Chinese women and gender can be dealt with in its own right.
A Historical Study of Early Modern Chinese Fictions (1890—1920)
This book contains a classic guide to historical study of early modern Chinese fiction from the late Qing Dynasty till early republican China. It does not merely study the new fiction writing in China, which was strongly influenced by the western fiction, but also draws a comparison between classical Chinese fiction and the early modern Chinese fiction. This book is an excellent reference in the study of early modern Chinese literature since it conveys a point of view to the readers with abundant and solid historical materials. At the heart of the book, it is the matter of a specific value in trans-cultural studies between the western world and China.
Tales of Translation
The figure of the New Woman, soon to become a major signpost of Chinese modernity, was in the process of being formed at the turn of the 20th century. This book shows how the construction of the New Woman was influenced by the fictional and translational representation of a range of Western female icons, including the French Revolutionary figure Madame Roland and Dumas's "Dame aux camelias.""
Neo-Confucian Education
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Modern Chinese Literature, Lin Shu and the Reformist Movement
This Pivot reconsiders the controversial literary figure of Lin Shu and the debate surrounding his place in the history of Modern Chinese Literature. Although recent Chinese mainland research has recognized some of the innovations introduced by Lin Shu, he has often been labeled a 'rightist reformer' in contrast to 'leftist reformers' such as Chen Duxiu and the new wave scholars of the May Fourth Movement. This book provides a well-documented account of his place in the different polemics between these two circles ('conservatives' and 'reformers') and provides a more nuanced account of the different literary movements of the time. Notably, it argues that these differences were neither in content nor in politics, but in the methodological approach of both parties. Examining Lin Shu and the 'conservatives' advocated coexistence of both traditional and modern thought, the book provides background to the major changes occurring in the intellectual landscape of Modern China.
