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Doing Memory: Medieval Saints and Heroes and Their Afterlives in the Baltic Sea Region (19th-20th Centuries)
This anthology is about the representations and uses of medieval saints, heroes, and heroic events as elements of popular, local, and national culture during the 19th and 20th centuries in the Baltic Sea region: Scandinavia, Finland, Baltic countries, Northern Germany and North-Western Russia. Authors examine the processes of how medieval saints and heroes have been remembered, commemorated, interpreted, used, and reflected during modernity, and by whom. The focus of the anthology is on "doing" memory as a practice that commemorated the past and shaped spaces and identities in the present. It approaches the memory of saints and heroes, for example, Swedish Saints Birgitta and Eric, Danish Sa...
Ruin Memories
Since the nineteenth century, mass-production, consumerism and cycles of material replacement have accelerated; increasingly larger amounts of things are increasingly victimized rapidly and made redundant. At the same time, processes of destruction have immensely intensified, although largely overlooked when compared to the research and social significance devoted to consumption and production. The outcome is a ruin landscape of derelict factories, closed shopping malls, overgrown bunkers and redundant mining towns; a ghostly world of decaying modern debris normally omitted from academic concerns and conventional histories. The archaeology of the recent or contemporary past has grown fast du...
Histories, Myths and Decolonial Interventions
This book explores postcolonial myths and histories within colonially structured narratives which persist and are carried in culture, language, and history in various parts of the world. It analyzes constructions of identities, stereotypes, and mythical fantasies in postcolonial society. Exploring a wide range of themes including the appropriation and use of language, myths of decolonialization, and nationalism, and the colonial influence on systems of academic knowledge, the book focuses on how these myths reinforce, subvert, and appropriate colonial binaries for the articulation of the postcolonial self. With essays which study narratives of emigrants in Argentina, the colonial mythology in the Dodecanese in Italy, and the mythico-narratives of island insularity in contemporary Sri Lanka among others, this volume emphasizes the role of indigenous studies in building a postcolonial consciousness. This book will be of interest to scholars and researchers of post-colonial studies, cultural studies, literature, history, political science, and sociology.
Unknown Hum
None
If Home is a Place
If Home is a Place delves into the experience of the refugee and the meaning of home. This novel reveals how the wrenching effects of war and an inevitable emigration form the psyche of a people of many generations.
Treasured Memories
In the autumn of 1944, around 70,000 people fled Estonia in the face of the Red Army's advance; most of them believed the Soviet occupation would be short-lived and they would soon be able to return home. A comprehensive study of a common yet neglected phenomenon, this book tells the stories of the hoards of valuable belongings hidden by these Estonian escapees. The sheer variety of objects—including those that remain buried, those that vanished, and those that were recovered—touches upon all levels of history, from personal memories to high politics. In essence, this work of contemporary archaeology not only reflects upon the intimate relationship between material culture and memory, but also demonstrates how events on the world stage can shape the fate of individual families across generations.
The Town of Nothing
None
The Women of Country Music
Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.
The Michigan Alumnus
In v.1-8 the final number consists of the Commencement annual.
From Kitchen to Carnegie Hall
In the 1940s it was unheard of for women to be members of a professional orchestra, let alone play "masculine" instruments like the bass or trombone. Yet despite these formidable challenges, the Montreal Women's Symphony Orchestra (MWSO) became the only all-women orchestra in Canadian history. Formed in 1940, the MWSO became the first orchestra to represent Canada in New York City's Carnegie Hall and one of its members also became the first Canadian black woman to play in a symphony in Carnegie Hall. While the MWSO has paved the way for contemporary female musicians, the stories of these women are largely missing from historical records. From Kitchen to Carnegie Hall illuminates these revolutionary stories, including the life of the incredible Ethel Stark, the co-founder and conductor of the MWSO. Ethel's work opened doors of equal opportunity for marginalized groups and played an important role in breaking gender stereotypes in the Canadian music world.
