Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Mahler Companion
'the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.' -Andrew Green, Classical Music 08/11/1999'beautifully produced volume... a tribute that surveys the familiar with affectionate new insights... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.' -David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitch...
The God behind the Marble
A history of Germans’ attempts to transform society through art in an age of revolution. For German philosophers at the turn of the nineteenth century, beautiful works of art acted as beacons of freedom, instruments of progress that could model and stimulate the moral autonomy of their beholders. Amid the Revolutionary and Napoleonic wars, Germans struggled to uphold these ideals as they contended with the destruction of art collections, looting, and questions about cultural property. As artworks fell prey to the violence they were supposed to transcend, some began to wonder how art could deliver liberation if it could also quickly become a spoil of war. Alice Goff considers a variety of works—including forty porphyry columns from the tomb of Charlemagne, the Quadriga from the Brandenburg Gate in Berlin, the Laocoön group from Rome, a medieval bronze reliquary from Goslar, a Last Judgment from Danzig, and the mummified body of an official from the Rhenish hamlet of Sinzig—following the conflicts over the ownership, interpretation, conservation, and exhibition of German collections during the Napoleonic period and its aftermath.
Fontane's Landscapes
Aimed primarily at English-speaking undergraduate students of German literature, but also with graduate students and a general readership in mind, this book deals with the literary landscapes in Theodor Fontane's best known novels - 'Schach von Wuthenow' (1882), 'Irrungen, Wirrungen' (1888), and 'Effi Briest' (1895). It is an illuminating introduction to one of Europe's finest novelists. "It is an excellent idea to guide readers through the novels by way of focusing on the landscapes. James Bade brings an enormous amount of material into the discussion and is always detailed and precise. The book reads very well and enriches the Fontane literature.--publisher website.
The Impact of Classical Greece on European and National Identities
These thirteen papers, from a colloquium held at the Netherlands Institute at Athens in 2000, examine European scholarship's fascination with classical Greece during the 19th and 20th centuries. Arranged geographically and then thematically, the papers discuss Greek attitudes towards classical archaeology and literature, Germany and Neoclassicism, classical Greece in Dutch literature and the influence of Greece on Dutch politics, the influence of Alexander the Great and the Persian Wars, the classical element in Victorian verse and interpretations of Homeric epic.
Taking Stock
The volume examines the proliferation of inventorying models and practices as cultural techniques of knowledge organization and production during the long nineteenth century. While inventories are still broadly treated as raw data and unprocessed source materials, the book shows how they function as complex media formats, intersecting and interfering with other material techniques to produce, store, distribute, organize and process cultural information. How do inventories work against and in dialogue with other media of collection, storage and retrieval such as catalogs, indexes, bibliographies, and archives; what new media configurations do techniques of inventorying enable and how, in turn, are such techniques shaped by the media channels and formats they employ; what is at stake in the critical effort of "taking stock", whether as commercial, bureaucratic, literary, historiographical, or scientific operations; finally, what do such operations tell us specifically about the production and circulation of knowledge in the German nineteenth century?
Eighteenth-century Fiction and the Reinvention of Wonder
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century British fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to--rather than antithetical to--the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. Eightee...
Das Museum der Aufklärung und sein Publikum
Das Museum Fridericianum in Kassel verkörpert als erster für die allgemeine Öffentlichkeit bestimmter Museumsneubau Europas wie keine andere Institution das »Museum der Aufklärung«. In der Kombination von Kunstobjekten und naturwissenschaftlich-technischen Sammlungsbereichen mit Bibliothek und Sternwarte galt es als ideale Bildungseinrichtung seiner Zeit. Dass es Forschungs- und Bildungsreisende aus der ganzen Welt anzog, dokumentiert das Besucherbuch, das bereits 1769 für die Vorgängereinrichtung, das Kunsthaus im Ottoneum, angelegt worden war. Rund14.000 Personen finden sich darin eingetragen – ein sehr vielfältiges Publikum, darunter ein Großteil der europäischen Gelehrtenwel...
The Visual Arts in Germany, 1890-1937
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
2012
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
From the Holy Roman Empire to the Land of the Tsars
Presenting a broad panorama of society and culture in the German lands and Russia from the Enlightenment to the breakthrough of modernity, this microhistory of one extraordinary family explores how the lives of individual people are entangled with the great forces of their age.
