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The Buenos Aires Reader offers an insider’s look at the diverse lived experiences of the people, politics, and culture of Argentina’s capital city primarily from the nineteenth century to the present. Refuting the tired cliché that Buenos Aires is the “Paris of South America,” this book gives a nuanced view of a city that has long been attentive to international trends yet never ceases to celebrate its local culture. The vibrant opinions, reflections, and voices of Buenos Aires come to life through selections that range from songs, poems, letters, and essays to interviews, cartoons, paintings, and historical documents, many of which have been translated into English for the first time. These selections tell the story of the city’s culture of protest and celebration, its passion for soccer and sport, its gastronomy and food traditions, its legendary nightlife, and its musical, literary, and artistic cultures. Providing an unparalleled look at Buenos Aires’s history, culture, and politics, this volume is an ideal companion for anyone interested in this dynamic, disruptive, and inventive city.
In 1983, following a military dictatorship that left thousands dead and disappeared and the economy in ruins, Raúl Alfonsín was elected president of Argentina on the strength of his pledge to prosecute the armed forces for their crimes and restore a measure of material well-being to Argentine lives. Food, housing, and full employment became the litmus tests of the new democracy. In Search of the Lost Decade reconsiders Argentina’s transition to democracy by examining the everyday meanings of rights and the lived experience of democratic return, far beyond the ballot box and corridors of power. Beginning with promises to eliminate hunger and ending with food shortages and burning supermarkets, Jennifer Adair provides an in-depth account of the Alfonsín government’s unfulfilled projects to ensure basic needs against the backdrop of a looming neoliberal world order. As it moves from the presidential palace to the streets, this original book offers a compelling reinterpretation of post-dictatorship Argentina and Latin America’s so-called lost decade.
While the City Sleeps is an extraordinary work of scholarship from one of Argentina’s leading historians of modern Buenos Aires society and culture. In the late nineteenth century, the city saw a massive population boom and large-scale urban development. With these changes came rampant crime, a chaotic environment in the streets, and intense class conflict. In response, the state expanded institutions that were intended to bring about social order and control. In this book, Lila Caimari mines both police records and true crime reporting to bring to life the underworld pistoleros, the policemen who fought them, and the crime journalists who brought the conflicts to light. In the process, she crafts an incredible portrait of the rise of one of the world’s greatest cities.
This publication summarizes the outcomes and lessons learned from the Fall 2017 course titled “Emergent Urbanism: Planning and Design Visions for the City of Hermosillo, Mexico” (ADV-9146). Taught by professors Diane Davis and Felipe Vera, this course asked a group of 12 students to design a set of projects that could lay the groundwork for a sustainable future for the city of Hermosillo—an emerging city located in northwest Mexico and the capital of the state of Sonora. Part of a larger initiative funded by the Inter-American Development Bank and the North-American Development Bank in partnership with Harvard University, ideas developed for this class were the product of collaboration between faculty and students at the Graduate School of Design, the Kennedy School’s Center for International Development and the T.H. Chan School of Public Health.
Impure Migration investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jewish people displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitate their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, Impure Migration interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.
Struggling to free itself from a century of economic decline and stagnation, the town of San Miguel de Allende, nestled in the hills of central Mexico, discovered that its “timeless” quality could provide a way forward. While other Mexican towns pursued policies of industrialization, San Miguel—on the economic, political, and cultural margins of revolutionary Mexico—worked to demonstrate that it preserved an authentic quality, earning designation as a “typical Mexican town” by the Guanajuato state legislature in 1939. With the town’s historic status guaranteed, a coalition of local elites and transnational figures turned to an international solution—tourism—to revive San Mi...
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘Chin...
In this book, Cecilia Tossounian reconstructs different representations of modern femininity from 1920s and 1930s Argentina, a complex period in which the country saw prosperity and economic crisis, a growing cosmopolitan population, the emergence of consumer culture, and the development of nationalism. Tossounian analyzes how these popular images of la joven moderna—the modern girl—helped shape Argentina’s emerging national identity. Tossounian looks at visual and written portrayals of young womanhood in magazines, newspapers, pulp fiction, advertisements, music, films, and other media. She identifies and discusses four new types of young urban women: the flapper, the worker, the spor...
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
Paisanos Chinos tracks Chinese Mexican transnational political activities in the wake of the anti-Chinese campaigns that crossed Mexico in 1931. Threatened by violence, Chinese Mexicans strengthened their ties to China—both Nationalist and Communist—as a means of safeguarding their presence. Paisanos Chinos illustrates the ways in which transpacific ties helped Chinese Mexicans make a claim to belonging in Mexico and challenge traditional notions of Mexican identity and nationhood. From celebrating the end of World War II alongside their neighbors to carrying out an annual community pilgrimage to the Basílica de Guadalupe, Chinese Mexicans came out of the shadows to refute longstanding caricatures and integrate themselves into Mexican society.