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Who Says?: Mastering Point of View in Fiction
A thorough, illuminating, and entertaining guide to crafting point of view, a fiction writer’s most essential choice. Who is telling the story to whom is the single most important question about any work of fiction; the answer is central to everything from style and tone to plot and pacing. Using hundreds of examples from Jane Austen to Chimamanda Ngozi Adichie, Leo Tolstoy to Stephen King, novelist and longtime MFA professor Lisa Zeidner dives deep into the points of view we are most familiar with—first and third person—and moves beyond to second-person narration, frame tales, and even animal points of view. Engaging and accessible, Who Says? presents any practicing writer with a new system for choosing a point of view, experimenting with how it determines the narrative, and applying these ideas to revision.
Layover
A smart and sexy novel about a woman on the edge, soon to be a major film "Subtle, astute... Zeidner joins the ranks of Doris Lessing, Margaret Atwood and Fay Weldon"New York Times Book Review, Notable Book of the Year Claire Newbold is not your typical heroine. Smart and sexy, yes, but she's also been known to sneak into a hotel room or two without paying, seduce a teenager in wet bathing trunks, and just check out of things altogether - like her job. And her marriage. Grieving the loss of her only child, and unsure of what's to become of her relationship, Claire takes a leave of absence from everyday life. She moves from hotel to hotel, basking in the anonymity of travel and forbidden sex,...
Love Bomb
"Smart, funny, [and] irreverent...A perfect summer novel."—Jonathan Yardley, The Washington Author of Layover New York Times Book Review Editors' Choice "It's been a while since I've read a satire as deft and ambitious as Lisa Zeidner's Love Bomb....Wildly entertaining."—Richard Russo, author of That Old Cape Magic and Empire Falls In quaint Haddonfield, New Jersey, Tess is about to marry Gabe in her childhood home. Her mother, Helen, is panicked about the guest list---which promises warring exes, racial tensions, and way too many psychiatrists. But the most challenging guest is an uninvited one: a woman who shows up in a wedding dress, wearing a gas mask and toting a sawed-off shotgun, with a bomb trigger strapped to her arm. While the warm, wise Helen attempts to control the hysteria, the hostages begin to untangle their connections to their captor, and to one another. Together, they await the arrival of the SWAT team---and the moment when "the terrorist of love" reveals her true motives. A tough, tender social comedy and a romance with guts, Love Bomb is written with deep affection for everything it skewers.
The Jew of Home Depot and Other Stories
Call it Kmart magical realism.-Washington Post Book World
Pattern Recognition
It's only called paranoia if you can't prove it. Cayce is in London to work. Her pathological sensitivity to brands makes her the perfect divining rod for an ad agency that wants to east a new logo. But when she is co-opted into the search for the creator of a strangely addictive on-line film, Cayce wonders if she has done the right - or indeed, safe - thing. And that's before violence, Japanese computer crazies and Russian Mafia men are in the mix. But she wants to discover the source of the film too, and the truth of her father's disappearance in New York, two years ago. And from the way people are trying to stop her, it looks like she's getting close . . .
Limited Partnerships
A humorous look at the fragile world of young semi-professionals. Here they're downwardly mobile - and not so young anymore either.
My Home is Far Away
My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawd...
The Underminer
Successful, gorgeous, and beloved by everyone you know, the Underminer remembers your every foolish ambition and humiliating mistake-and never fails to remind you. The Underminer makes you feel suicidal. But the Underminer is your friend. Mike Albo and Virginia Heffernan do us all a public service by capturing the elusive evils of an age-old archetype. To understand and resist your toxic friend, you need The Underminer. Who is the Underminer? "An insincere, name-dropping predator with a rise so meteoric that you feel like crawling into your sad little apartment and eating gallons of ice cream right out of the carton while sniffling over reruns of old Bette Davis movies."-New York Times Book ...
International Handbook of Emotions in Education
For more than a decade, there has been growing interest and research on the pivotal role of emotions in educational settings. This ground-breaking handbook is the first to highlight this emerging field of research and to describe in detail the ways in which emotions affect learning and instruction in the classroom as well as students’ and teachers’ development and well-being. Informed by research from a number of related fields, the handbook includes four sections. Section I focuses on fundamental principles of emotion, including the interplay among emotion, cognition, and motivation, the regulation of emotion, and emotional intelligence. Section II examines emotions and emotion regulati...
You Again
From Edgar Award nominee Debra Jo Immergut: a taut, twisting work of suspense about a woman haunted by her younger self. Abigail Willard first spots her from the back of a New York cab: the spitting image of Abby herself at age 22 - right down to the silver platforms and raspberry coat she wore as a young artist with a taste for wildness. But the real Abby is now 46, married with a corporate job and two kids. As the girl vanishes into a rainy night, Abby is left shaken. Was this merely a hallucinatory side-effect of working-mom stress? A message of sorts, sent to remind her of passions and dreams tossed aside? Or something more dangerous? As weeks go by, Abby continues to spot her double aro...
