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This catalogue is published on the occasion of the exhibition at Pallant House Gallery, Chichester, West Sussex, 3 October 2015-14 February 2016.
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No account of 20th Century British art can overlook the numerous works of the period that were essentially “religious” in their content. Art, Faith & Modernity examines this question in Paul Liss‘ and Alan Powers’ essays and demonstrates the wide range of expression in more than 175 colour reproductions. Anchored by Alan Power’s defining essay, Art Faith and Modernity presents a poignant argument – both visual and cerebral – for a reassessment of the important place that religious art continued to occupy in 20th century Britain. Art, Faith & Modernity is part of Liss Llewellyn’s on-going programme of exhibitions, produced in partnership with museums and cultural institutions, which seeks to reappraise some of the unsung heroines and and heroes of Modern British art.
This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty com...
Published on the occasion of the exhibition "Winifred Knights" at Dulwich Picture Gallery, London, June 8-September 18, 2016.
Walter Bonner Gash (1869-1928) Edwardian artist known for his works in oil and pastel. Primarily interested in landscape, still life and especially portraiture.
A diverse collection illustrating the work of Richard Sorrell.
A major study of a neglected period of British mural painting.