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From its foundation in 1826, UCL embraced a progressive and pioneering spirit. It was the first university in England to admit students regardless of religion and made higher education affordable and accessible to a much broader section of society. It was also effectively the first university to welcome women on equal terms with men. From the outset UCL showed a commitment to innovative ideas and new methods of teaching and research. This book charts the history of UCL from 1826 through to the present day, highlighting its many contributions to society in Britain and around the world. It covers the expansion of the university through the growth in student numbers and institutional mergers. I...
London's mobilisation proved crucial to parliament's success in the English Civil War. Through a rigorous investigation of archival and print sources, this book shows how and why the City aligned its interests with parliament and how, ultimately, this alignment led to the establishment of an army that would defeat the king of England.
London’s Urban Landscape is the first major study of a global city to adopt a materialist perspective and stress the significance of place and the built environment to the urban landscape. Edited by Christopher Tilley, the volume is inspired by phenomenological thinking and presents fine-grained ethnographies of the practices of everyday life in London. In doing so, it charts a unique perspective on the city that integrates ethnographies of daily life with an analysis of material culture. The first part of the volume considers the residential sphere of urban life, discussing in detailed case studies ordinary residential streets, housing estates, suburbia and London’s mobile ‘linear vil...
This book tells the history of the London black music culture that emerged in post-colonial London at the end of the twentieth century; the people who made it, the racial and spatial politics of its development and change, and the part it played in founding London's precious, embattled multiculture. It conceives of the linked scenes around black music in London, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, to dubstep and grime of the 2000s, as demonstrating enough common features to be thought of as one musical culture, an Afro-diasporic continuum. Core to this idea is that this dance culture has been ignored in history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art.
How the World Changed Social Media is the first book in Why We Post, a book series that investigates the findings of anthropologists who each spent 15 months living in communities across the world. This book offers a comparative analysis summarising the results of the research and explores the impact of social media on politics and gender, education and commerce. What is the result of the increased emphasis on visual communication? Are we becoming more individual or more social? Why is public social media so conservative? Why does equality online fail to shift inequality offline? How did memes become the moral police of the internet? Supported by an introduction to the project’s academic framework and theoretical terms that help to account for the findings, the book argues that the only way to appreciate and understand something as intimate and ubiquitous as social media is to be immersed in the lives of the people who post. Only then can we discover how people all around the world have already transformed social media in such unexpected ways and assess the consequences
Shakespeare's London 1613 offers for the first time a comprehensive "biography" of this crucial year in English history. This book examines political and cultural life in London, including the Jacobean court and the city, which together witnessed an exceptional outpouring of culturalexperiences and transformative political events. The royal family had to confront the sudden death of Prince Henry, heir apparent to the throne, which provoked unparalleled grief. An unprecedented number of plays performed at court helped move the country away from sadness to the happy occasion ofPrincess Elizabeth's marriage to a German prince. Shakespeare's plays dominated London's cultural landscape, diminished by the Globe Theatre's destruction in June. Other playwrights, writers, and printers produced an extraordinary number of books. Shakespeare for the first time purchased property in London. Clearly, court and city intersectedregularly, adding vitality to both.
The eclectic nature of British cinema is explored in this examination of genres from the Ealing comedies to heritage films. Viewed against the social, financial and political background, this is an indespensible evaluation of British cinema.
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From literary theory to social anthropology, the influence of Freud runs through every part of the human and social sciences. In The Lure of Dreams, Harvie Ferguson shows how Freud's writings and particulary The Interpretation of Dreams contribute, both in their content and in the baroque and dream-like forms in which they are cast, to our understanding of the character of modernity. This novel and stimulating approach to Freud and to the dilemmas of modernity and postmodernity will fascinate everyone with an interest in the development of the modern consciousness.