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Anita Loos Rediscovered
"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."—Carol Channing "This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."—John Sayles "If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the ...
Anita Loos Rediscovered
Anita Loos (1888-1981) was one of Hollywood's most respected and prolific screenwriters, as well as an acclaimed novelist and playwright. This unique collection of previously unpublished film treatments, short stories, and one-act plays spans fifty years of her creative writing and showcases the breadth and depth of her talent. Beginning in 1912 with the stories she submitted from her San Diego home (some made into films by D. W. Griffith), through her collaboration with Colette on the play Gigi, Anita Loos wrote almost every day for the screen, stage, books, or magazines. Film scripts include San Francisco, The Women, and Red-Headed Woman. The list of stars for whom she created unforgettable roles includes Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, and Carol Channing. This collection has been selected by Anita's niece and close friend, the best-selling author Mary Anita Loos, together with the acclaimed film historian Cari Beauchamp. Their essays are laced throughout the volume, introducing each section and giving previously untold insights and behind-the-scenes stories about Anita-her life, her friendships, and her times.
The Problem with Pleasure
Aldous Huxley decried "the horrors of modern 'pleasure,'" or the proliferation of mass produced, widely accessible entertainment that could degrade or dull the mind. He and his contemporaries, including James Joyce, T. S. Eliot, Gertrude Stein, D. H. Lawrence, and Jean Rhys, sought to radically redefine pleasure, constructing arduous and indirect paths to delight through their notoriously daunting work. Laura Frost follows these experiments in the art of unpleasure, connecting modernism's signature characteristics, such as irony, allusiveness, and obscurity, to an ambitious attempt to reconfigure bliss. In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking inter...
When Women Wrote Hollywood
This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences--but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It's a Wonderful Life.
Anita Loos Rediscovered
Anita Loos (1888-1981) was one of Hollywood's most respected & prolific screenwriters. This collection of previously unpub. film treatments, short stories, & one-act plays spans 50 years of her creative writing. Beginning in 1912 with the stories she sent to D.W. Griffith, through her collaboration years later with Colette on the play Gigi,Ó Anita Loos wrote almost every day for the screen or stage, or for book or mag. pub. She created unforgettable roles for Mary Pickford, Jean Harlow, Clark Gable, Audrey Hepburn, & Carol Channing. Essays by Mary Anita Loos & Cari Beauchamp are laced throughout the vol., providing fascinating intro. to Anita's writings & offering insights & behind-the-scenes stories about Anita -- her life, her friendships, & her times. Illus.
Women Adapting
When most of us hear the title Gentlemen Prefer Blondes, we think of Marilyn Monroe and Jane Russell’s iconic film performance. Few, however, are aware that the movie was based on Anita Loos’s 1925 comic novel by the same name. What does it mean, Women Adapting asks, to translate a Jazz Age blockbuster from book to film or stage? What adjustments are necessary and what, if anything, is lost? Bethany Wood examines three well-known stories that debuted as women’s magazine serials—Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat—and traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptatio...
Women, Celebrity, and Literary Culture between the Wars
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill in...
Cinematic Fictions
The phrase 'cinematic fiction' has now been generally accepted into critical discourse, but is usually applied to post-war novels. This book asks a simple question: given their fascination with the new medium of film, did American novelists attempt to apply cinematic methods in their own writings? From its very beginnings the cinema has played a special role in defining American culture. Covering the period from the 1910s up to the Second World War, Cinematic Fictions offers new insights into classics like The Great Gatsby and The Grapes of Wrath discussing major writers' critical writings on film and active participation in film-making. Cinematic Fictions is also careful not to portray 'cin...
Analysing the Screenplay
Analysing the Screenplay highlights the screenplay as an important form in itself, as opposed to merely being the first stage of the production process.
The Moving Image
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