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What is the connection between philosophical enquiries and storytelling in contemporary narrative? Is it possible to outline some features of a so-called philosophical fiction in Western literature throughout the last two centuries? This book aims to provide a plural answer, hosting extensive essays by seven young researchers coming from different fields (Theory of literature, German, American, Russian and Italian contemporary literature, history and evolution of the essayistic form). A short The volume is addressed to all those with a strong interest in both evolution of philosophical speech and history of the novel and has a strong vocation to promote interdisciplinarity in literary studies.
Europe is at a crossroads, and the financial crisis, transformed into an economic crisis, is firing back at us in its original format: as a truly political problem. Miscomprehension of the true limits of neofunctionalism lead us to give either one step too little towards political integration, or one step too many towards economic integration. This white paper on the reform of Europe is but a small start and a contribution towards a debate that will take years. The European Liberal Youth wants to be a part of that debate, and contribute towards the improvement of our institutions and of our governance. It was an open call to interested members of LYMEC to give their first input. We hope to develop and improve it, continuing our tradition, since our very origins in the 1970's, of defending a democratic and accountable Europe that opens markets, borders and minds.
In 1714 George Ludwig, the fifty-eight-year-old elector of Brunswick-Luneburg, became, as George I, the first of the Hanoverian dynasty to rule Britain. Until his death in 1727 George served as both elector of Hanover and British monarch. An enigmatic figure whose real character has long been concealed by anti-Hanoverian propaganda, George emerges in this groundbreaking biography as an impressive ruler who welcomed the responsibilities the accession brought him and set out to bring culture to what he considered the unsophisticated English nation. Ragnhild Hatton’s biography is the only comprehensive account of George’s life and reign. It draws on a wide range of archival sources in several languages to illuminate the fascinating details of George’s early life and dynastic crises, his plans and ambitions for the British nation, the impact of his rationalist ideas, and his accomplishments as king. The book also examines the king’s private life, his family relationships in both Prussia and England, his private interest in music and the arts, and the improvement of his British and Hanoverian properties.
This book builds on the foundation laid in The Medieval Longsword, and teaches you how to train Fiore dei Liberi’s Art of Arms, as shown in his 1410 manuscript ll Fior di Battaglia. Renowned swordsman and author Guy Windsor explains three of the longsword forms that are used every day in The School of European Swordsmanship: The Cutting Drill, The Farfalla di Ferro, and The Longsword Syllabus Form. Each form is explained step by step and application by application, with abundant photographs and images from Fiore’s manuscript. Guy takes you through each step first as a pair drill, then as part of the form, then as a starting point for further training, or for further research into Il Fior di Battaglia. Within these pages you will find in-depth instructions and analysis, dozens of tips for how to improve your skills, and enough material for years of study.
The last two volumes of Casanova's account of his extraordinary life include the story of his imprisonment in Buen Retiro, his trip to Madrid and his affair with Do a Ignacia, his journey to Barcelona and his detention in the Tower, his encounter with Lord Baltimore, and his serious illness in Aix-en-Provence when he is taken care of by a mysterious woman who turns out to the servant of one of his first loves, Henriette.
In 1764, a Milanese aristocrat named Cesare Beccaria created a sensation when he published On Crimes and Punishments. At its centre is a rejection of the death penalty as excessive, unnecessary, and pointless. Beccaria is deservedly regarded as the founding father of modern criminal law reform, yet he was not the first to argue for the abolition of the death penalty. This book presents the first English translation of the Florentine aristocrat Giuseppe Pelli's critique of capital punishment, written three years before Beccaria's treatise, but lost for more than two centuries in the Pelli family archives. The book examines the contrasting arguments of the two abolitionists, who drew from different intellectual traditions.
A fascinating insight into the life and music-making of the most documented musician of the seventeenth century, castrato Atto Melani.