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Ricantations
Collection of previously and newly published poems.
The Twelve-foot Neon Woman
Against a soundtrack of world music--from salsa to reggae and jazz--and in a vibrant blend of English, Spanish, and Patois, this collection delivers tender and incendiary hymns of homage to the Caribbean, American, and British metropolises. In a poetic form that is lyrical, narrative, sensual, and often experimental, it offers insight into the urgent social issues impacting the everyday world and its extraordinary people. As they seek connections across boundaries of geography, race, ethnicity, language, gender, age, and economic class, these poems express a hope for the future and the possibility for cultural metamorphosis.
New Caribbean Poetry
An anthology of Caribbean verse, edited by the young Jamaican poet Kei Miller.
Everyone Knows I Am a Haunting
Ramlochan's poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic. Her poems reference the language and structural patterns of the genres of fantasy or speculative fiction, though with her own distinctive features, including the presence of such folkloric Trinidadian figures as the Duenne, those wandering lost spirits whose feet point backwards.
Performance Anxiety
He is sixteen in 1964. He has friends. He has fun. He smokes unfiltered Luckies. He loses his virginity. He gets his first car and drives with abandon. He is growing up as fast as he can, if not as fast as he wants. A white boy from the suburbs, he goes into the Black city to see the Motown Revue, and to listen to jazz in smokey clubs. Inspired by the non-violent civil rights movement, he embarks on an activist path that in a few years will place him in the militant Weather Underground. He has sex with girls, hiding the unmentionable fact that he is gay. His father is checked out while his mother is dying—another thing that may not be discussed. He pretends he doesn't care, projecting himself as a worldly proto-adult, but he is a scared kid. Performance Anxiety is a vivid portrayal of one boy’s rocky youth—and of America on the brink of the cultural tumult known as “the sixties.” With rare honesty and humble self-forgiveness Jonathan Lerner recalls the exuberance and pain of growing up in a time and place, and family, that seemed whole but were cracking apart.
Tata and the Big Bad Bull
Tata loves going to school, but the only way he can get there is through Pellken Pasture, which is fiercely guarded by the Big Bad Bull. Can Tata figure out how to get past the angry bull and make it to school on time? Told in rhyme, Tata and the Big Bad Bull is fun story about determination and overcoming fear with compassion.
The Marvellous Equations of the Dread
Longlisted: 2017 OCM Bocas Prize for Caribbean Literature Bob Marley is dead. The Emperor Haile Selassie has been brutally murdered. The armed gangs of Kingston are at war and the murder rate soars. The people have lost all trust in self-serving politicians. It is hard to imagine worse times. The Marvellous Equations of the Dread tells the twin stories of Jamaica's nihilistic violence and its wondrously creative humanity and does truthful justice to both. It takes place in the worlds of the living and in the vivid afterlife of the dead, spanning the Kingston ghettoes, the Emperor's palace in Addis Ababa and Zion. There is even a fallen angel. At its heart are the human stories of the deaf Le...
MAKE US ALL ISLANDS
A history submerged in the ever-shifting currents of the ocean emerges in this debut collection by Richard Georges. These poems craft narratives of long forgotten migrations, shipwrecks, and the personal with a vivid and sensual aesthetic that is located in the contested spaces between the sea and the shore. "The voice is placid, and leaves no print of self-conscious style and ego but rather the poems themselves, rolling softly up the beach and then sucking us into a greater history of the sea and our only and sometimes lonely selves-- our i-lands." --Vladimir Lucien "In these pages all roads lead to the sea. The poet never plots a route. Gods fall, forgotten paths return, poetry books break and glasses of water kill. Though the sea divides, it brings redemption. Georges shows all mankind to be one author. His beauteous poems rise like coral islands. Justice is done." --Andre Bagoo "Singing 'light into bleakness, ' in vivid poetic language that shakes us out of apathy, Georges' harsh and lyrical hymns portray the painful beauty of the Virgin Islands and Caribbean archipelago." --Loretta Collins Klobah
Utter
"In Utter the reader is captured by image and sound into a universe where anything can happen, because there is nothing that can't be imagined and there's no connection between different experiences that can't be made. Old boundaries come down: between the past and present, between human and animal, animate and inanimate, between the Caribbean and the global elsewhere, between the experienced world and the world of books." [4ème de couv.].
Measures of Expatriation
Winner of the Forward Prize for Best Collection and Shortlisted for the T.S. Eliot Prize (2016). In Measures of Expatriation Vahni Capildeo's poems and prose-poems speak of the complex alienation of the expatriate, and address wider issues around identity in contemporary Western society. Born in Trinidad and resident in the UK, Capildeo rejects the easy depiction of a person as a neat, coherent whole - 'pure is a strange word' - embracing instead a pointilliste self, one grounded in complexity. In these texts sense and syntax are disrupted; languages rub and intersect; dream sequences, love poems, polylogues and borrowed words build into a precarious self-assemblage. 'Cliché', she writes, '...
