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A history submerged in the ever-shifting currents of the ocean emerges in this debut collection by Richard Georges. These poems craft narratives of long forgotten migrations, shipwrecks, and the personal with a vivid and sensual aesthetic that is located in the contested spaces between the sea and the shore. "The voice is placid, and leaves no print of self-conscious style and ego but rather the poems themselves, rolling softly up the beach and then sucking us into a greater history of the sea and our only and sometimes lonely selves-- our i-lands." --Vladimir Lucien "In these pages all roads lead to the sea. The poet never plots a route. Gods fall, forgotten paths return, poetry books break and glasses of water kill. Though the sea divides, it brings redemption. Georges shows all mankind to be one author. His beauteous poems rise like coral islands. Justice is done." --Andre Bagoo "Singing 'light into bleakness, ' in vivid poetic language that shakes us out of apathy, Georges' harsh and lyrical hymns portray the painful beauty of the Virgin Islands and Caribbean archipelago." --Loretta Collins Klobah
Poetry. GIANT is a manifestation, a creation story born of the ocean. Words turn over and under, shipwrecked then safe-shored. A blend of ghosts and myths meld and coalesce into being, as headstrong as the mountains, as wavering as the sea. Longlisted for 2019's OCM Bocas Prize for Caribbean Literature. GIANT was highly commended by the Forward Arts Foundation. Longlisted in Poetry School's Books of the Year 2018. "[An] essential collection."--Anthony Anaxagorou "This meditative volume leaves room for the imagination, contemplation, and breath."--Zakia Carpenter-Hall "Georges is a poet enraptured by the miraculous."--Rajiv Mohabir
"Set in the immediate aftermath of 2017's Hurricane Irma, the most catastrophic storm to strike the British Virgin Islands, Richard Georges' Epiphaneia stands as a collection of rich, transcendental verse. Beyond the loss and devastation that such a natural disaster brings, Georges' ideas span beyond the physical world, asking us to consider the ways in which families and communities come together amidst such tragedy. Blood runs under the earth. A father will instruct his daughter to the hills where their ancestors are buried. A flying man opens a door in the sky. Children play in the twisted roots of a landscape both dangerous and triumphant. Constantly attuned to the devastating power of nature and where the body, too, is 'a precarious house', these poems are hymns to the resilience of the human spirit. Georges locates in the negative space of aftermath both the ghosts of history and the mythic beginnings of a yet unlived, rejuvenated world." -- Page 4 of cover.
A story of murder, intrigue, and a stolen painting portrays America as it might have been, had George Washington surrendered to George III
Georges Perec, novelist, filmmaker and essayist, was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work is its intrinsically geographical nature. With major projects on space and place, Perec’s writing speaks to a variety of geographical, urban and architectural concerns, both in a substantive way, including a focus on cities, streets, homes and apartments, and in a methodological way, experimenting with methods of urban exploration and observation, classification, enumeration and taxonomy.
This ambitious study sets out to discover what marriage meant in the daily lives of the nobles of the tenth, eleventh, and twelfth centuries. Through entertaining anecdotes, family dramas, and striking quotations, Duby succeeds in bringing his subjects to life, making us feel as if we understand the motives and conflicts of those who inhabited the distant past. "It is typical of Duby's modest spirit and his book-long concern with the ancient status of beleaguered wives that he ends his study with a plea: 'We must not forget the women. Much has already been said about them. But how much do we really know?' Not everything, certainly, but far more than we did before the author began these charm...
Ramlochan's poems take the reader through a series of imaginative narratives that are at once emotionally familiar and compelling, even as the characters evoked and the happenings they describe are heavily symbolic. Her poems reference the language and structural patterns of the genres of fantasy or speculative fiction, though with her own distinctive features, including the presence of such folkloric Trinidadian figures as the Duenne, those wandering lost spirits whose feet point backwards.
In the mid-1850s, no scientist in the British Empire was more visible than Richard Owen. Mentioned in the same breath as Isaac Newton and championed as Britain’s answer to France’s Georges Cuvier and Germany’s Alexander von Humboldt, Owen was, as the Times declared in 1856, the most “distinguished man of science in the country.” But, a century and a half later, Owen remains largely obscured by the shadow of the most famous Victorian naturalist of all, Charles Darwin. Publicly marginalized by his contemporaries for his critique of natural selection, Owen suffered personal attacks that undermined his credibility long after his name faded from history. With this innovative biography, ...
Throughout history we have told ourselves stories to try and make sense of our place in the universe. Richard Holloway takes us on a personal, scientific and philosophical journey to explore what he believes the answers to the biggest of questions are. He examines what we know about the universe into which we are propelled at birth and from which we are expelled at death, the stories we have told about where we come from, and the stories we tell to get through this muddling experience of life. Thought-provoking, revelatory, compassionate and playful, Stories We Tell Ourselves is a personal reckoning with life’s mysteries by one of the most important and beloved thinkers of our time.