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Renowned English tattooer Alex Binnie puts down his machine and takes up the gouge for this series of portraits of his friends and colleagues from the tattoo world. Including such famous names as Filip Leu, Freddy Corbin, Jondix and Thomas Hooper, alongside co-workers and clients from his London shop, Into You, this series of intimate portraits expands his artistic boundaries. Influenced by the great tattoo and printmaking traditions of the past, Alex takes his skill and vision in an entirely new direction, totalling 36 prints and with an introduction and short description of each subject, we see the classic form of printmaking in a contemporary context. This volume is available in a limited edition of 1,000 numbered copies, making it a real collectors' item.
Jonathan Shaw’s Scab Vendor: Confessions of a Tattoo Artist is a surreal, multi-generational roller coaster ride through the underbelly of modern culture, charting the course of a life measured by extremes, and all the people, places, and events that shaped that life into a survivor’s tale of epic proportions. In its pages, Shaw takes the reader deep, not only into the recesses of his extraordinary mind and adventures, but also into the strange and magical process of memoir-writing itself. If truth is indeed stranger than fiction, then, as Shaw’s friend and literary mentor Charles Bukowski once told him, much of this book would have to be lived before it could be written. In that sense, Scab Vendor: Confessions of a Tattoo Artist is much more than a fascinating chronicle of a popular outlaw artist's creative evolution. It is a multicolored, cinematic, modern-day Odyssey, written in blood, ink, and tears—a kaleidoscopic, visionary roadmap to the journey of the human soul.
This book explores the border-transcending dimensions of public remembering by focussing on the triangular relationship between memory, monuments and migration. Framed by an introduction and conclusion, nine case studies located in diverse social and geo-political settings feature topical debates and contestation around monuments, statues and memorials erected by migrants or in memory of migrants, refugees and diasporas in host country societies. Written from different disciplinary perspectives including anthropology, art history, cultural studies and political science, the chapters consider displaced people as new, originally unintended audiences who bring transnational and transcultural perspectives to old monuments in host cities. In addition, migrants and diasporic communities are explored as ‘agents of memory’, who produce collective memory in tense environments of intra- and inter-group negotiation or outright hostility at the national and transnational level. The research is conceptually anchored in memory studies, notably transnational memory, multidirectional memory and other concepts emerging from memory studies’ recent ‘transcultural turn’.
The Museum Tinguely, opened in Basel in 1996, is dedicated to the work of the artist Jean Tinguely (1925 –1991). The collection can for the most part be traced back to a donation by Tinguely’s widow, Niki de Saint Phalle, and contains sculptures, drawings, sketches and archived documents that record the accomplishments of the important avant-garde artist up until his later work. As a Swiss artist in Paris, Tinguely was a member of the Nouveaux Réalistes along with Yves Klein, Christo and Daniel Spoerri. His kinetic sculptures helped to shape the artistic awakening of his time, and with happenings such as Homage to New York, and the Studies for an End of the World he can be said to have been partially responsible for a radical expansion of the definition of art in the early 1960s. The catalog depicts all the sculptures in the collection as well as a generous selection of drawings and sketches. It encompasses a thorough biography, a text on the happenings and events in which Tinguely was involved, recently compiled directories as well as an essay on the restoration of the machine sculptures in the museum.
Gretchen Krueger's poignant narrative explores how doctors, families, and the public interpreted the experience of childhood cancer from the 1930s through the 1970s. Pairing the transformation of childhood cancer from killer to curable disease with the personal experiences of young patients and their families, Krueger illuminates the twin realities of hope and suffering. In this social history, each decade follows a family whose experience touches on key themes: possible causes, means and timing of detection, the search for curative treatment, the merit of alternative treatments, the decisions to pursue or halt therapy, the side effects of treatment, death and dying—and cure. Recounting the complex and sometimes contentious interactions among the families of children with cancer, medical researchers, physicians, advocacy organizations, the media, and policy makers, Krueger reveals that personal odyssey and clinical challenge are the simultaneous realities of childhood cancer. This engaging study will be of interest to historians, medical practitioners and researchers, and people whose lives have been altered by cancer.
You Get What You Pay For: A Tattoo Survival Guide, is a non-fiction informational guide to help new and potential clients understand what it takes to get a phenomenal piece of art and what to look for in an artist. As big as the industry has become, the majority of information is geared towards the artists themselves or the collector. The little information that is for new clients can be found scattered throughout books or web-sites. This book will give new clients all the information they need in one place. Not only does "You Get What You Pay For" answer frequently asked questions, it also gives examples of work from awe-inspiring tattoo artists. When it comes to getting a tattoo, you really do get what you pay for.
Reconnecting Reading and Writing explores the ways in which reading can and should have a strong role in the teaching of writing in college. Reconnecting Reading and Writing draws on broad perspectives from history and international work to show how and why reading should be reunited with writing in college and high school classrooms. It presents an overview of relevant research on reading and how it can best be used to support and enhance writing instruction.
A very readable and well illustrated 1999 clinical guide to the common side effects of antipsychotic medication.