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Musician
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Listen to This
Have you ever wondered what REM guitarist Peter Buck's favorite song is? Or what Lucinda Williams listens to while on the road? Or maybe you've just been curious about what's spinning on John Lee Hooker's turntable. After years of research, finally the first guide to recorded music based on recommendations not by critics but from the musicians themselves. After interviewing dozens of leading recording artists from the worlds of pop, rock, jazz, alternative, rap, folk, blues, world, soul, and country, Alan Reder and John Baxter have compiled their subjects' favorite artists, albums, and songs, along with biographical information and an appraisal of the interviewees' own work. Annotated with notes on record labels and availability of recordings, this guide also offers resource information for finding almost any of the musical recommendations.
How They Made It
Everyone comes from somewhere: How They Made It is a savvy insider's tale that traces the career trajectories of a cross section of top selling recording artists, puncturing the mythologies of the music business to reveal the truths within. Hard work and persistence are the common themes, dispelling the notion of "overnight success." Artists covered include Jim Brickman, Green Day, Norah Jones, Maroon5, John Mayer, Alanis Morissette, OutKast, Rufus Wainright and Lee Ann Womack. * Author is well-known writer for Music Connection magazine, the best source for music business news published from Los Angeles.
The Water Lawyer
A brilliant young attorney struggling with his Native American roots unravels a murder-for-hire scheme at a prestigious Denver law firm. Aided by his ranching girlfriend, a retired senator, an ex-con and a retired Alaskan FBI agent, he must outmaneuver hired killers, corrupt lawyers and powerful politicians. Is water worth killing for? It is in the modern day Wild, Wild West.
Good Morning, Aztlán
Louie Pérez is a master musician and innovative visual artist who has spent the last forty years as founding member and principal songwriter for the internationally acclaimed group Los Lobos. Working with his songwriting partner, David Hidalgo, Pérez has written more than four hundred songs. Many of those songs, along with previously unpublished poems and short stories as well as paintings, sketches, and photos, are collected in this deeply personal, yet universally appealing volume. The book also features essays by musicians, artists and scholars who artfully dissect the significance of Pérez' work. Good Morning, Aztlán is, without question, a different kind of memoir.
CMJ New Music Report
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Music and the Racial Imagination
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
Mestizaje
Focusing on the often unrecognized role race plays in expressions of Chicano culture, Mestizaje is a provocative exploration of the volatility and mutability of racial identities. In this important moment in Chicano studies, Rafael Pérez-Torres reveals how the concepts and realities of race, historical memory, the body, and community have both constrained and opened possibilities for forging new and potentially liberating multiracial identities. Informed by a broad-ranging theoretical investigation of identity politics and race and incorporating feminist and queer critiques, Pérez-Torres skillfully analyzes Chicano cultural production. Contextualizing the history of mestizaje, he shows how...
Decolonial Voices
The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic...
Border Beat
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