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The Black Madonna has long protected her mountain villagers in southern Italy, and some say she followed her people to America. What else explains the magic and miracles on Spring Street in Little Italy over the decades? Teresa, whose son Nicky should never have walked again after his four-story fall, keeps a holy card of the Black Madonna hidden beneath her underwear. Magdalena, beautiful and mysterious, can make any man fall in love with her, including her stepson Salvatore, by praying secretly to an image of the Black Madonna in her attic. And Antoinette, after giving birth to five girls, had Jumbo, the biggest baby Spring Street ever saw -- once she had the Black Madonna's portrait in he...
When Sonny Magro gets whacked in Little Italy, the only witness--a mentally impaired man--tells his friend Joey Dee, which gets him involved with crime boss Nicky Mole.
The Mallone sisters look Irish, but don’t let their blue eyes fool you. “It’s all in how you say it,” their grandma Anona proudly says. “Ma-llone is Irish. Mal-lon-e is Italian.” Growing up Italian in the 1920s, in Hell’s Kitchen, an Irish enclave, requires toughness, thrift, and a calculating mind―even for the three beautiful Mallone sisters. And when their baby sister Gracie is swept off her feet by no-good Frankie Merelli, Helen and Mary will do anything to make sure Grace gets the life she deserves, even if that means going after her husband… The Sisters Mallone is a black comedy about the power of sisterhood and the importance of family―and family connections. Through irrepressible characters, and infectious and suspenseful writing, The Sisters Mallone reveals the American immigrant’s dream―with a twist.
The gangster, in the hands of the Italian American artist, becomes a telling figure in the tale of American race, gender, and ethnicity - a figure that reflects the autobiography of an immigrant group just as it reflects the fantasy of a native population. From Wiseguys to Wise Men studies the figure of the gangster and explores its social function in the construction and projection of masculinity in the United States. By looking at the cultural icon of the gangster through the lens of gender, this book presents new insights into material that has been part of American culture for close to 100 years.
A sweeping reassessment of our longing for the past, from the rise of “retro” to the rhetoric of Brexit and Trump. Nostalgia has a bad reputation. Its critics dismiss it as mere sentimentality or, worse, a dangerous yearning for an imagined age of purity. And nostalgia is routinely blamed for trivializing the past and obscuring its ugly sides. In Yesterday, Tobias Becker offers a more nuanced and sympathetic view. Surveying the successive waves of nostalgia that swept the United States and Europe after the Second World War, he shows that longing for the past is more complex and sometimes more beneficial than it seems. The current meaning of “nostalgia” is surprisingly recent: until t...
This groundbreaking collection reinvigorates the debate over the inclusion of multiethnic literature in the American literary canon. While multiethnic literature has earned a place in the curriculum on many large campuses, it is still a controversial topic at many others, as recent campus and corporate revivals of The Great Books attest. Many still perceive multiethnic literature as being governed by ideological and political issues, perpetuating a false distinction between highbrow "literary" texts and multiethnic works. Through historical overviews and textual analyses, the contributors not only argue for the aesthetic validity of multiethnic literature, but also examine the innovative ways in which multiethnic literature is taught and critiqued. The following questions are also addressed: Who and what determines literary value? What role do scholars, students, the reading public, book awards, and/or publishers play in affirming literary value? Taken together, these essays underscore the necessity for maintaining vibrant conversations about the place of multiethnic literature both inside and outside the academy.
This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.
Mary Jo Bona reconstructs the literary history and examines the narrative techniques of eight Italian American women's novels from 1940 to the present. Largely neglected until recently, these women's family narratives compel a reconsideration of what it means to be a woman and an ethnic in America. Bona discusses the novels in pairs according to their focus on Italian American life. She first examines the traditions of italianitá (a flavor of things Italian) that inform and enhance works of fiction. The novelists in that tradition were Mari Tomasi (Like Lesser Gods, 1949) and Marion Benasutti (No Steady Job for Papa, 1966). Bona then turns to later novels that highlight the Italian American...
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia histo...
Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley an...