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This research examines the string literature of American composer and violist Louise Lincoln Kerr. A biography of Mrs. Kerr is given, emphasizing compositional training and skill, her style of composition, contributions to musical organizations in the Phoenix area, and her donation of the Kerr Cultural Center and her manuscripts to the Arizona State University College of Fine Arts. Selected string compositions are examined for their historical significance, compositional style, performer accessibility, and significance to the repertoire. Kerr made use of Native American and Spanish folk melodies in some of her compositions in a Southwest Impressionist genre. It is the findings of this study ...
Louise sees herself as an ordinary girl with dormant dreams. She decides to capitalize on a huge event held in South Africa by running a guest house. Her grandfather's house proves to be big enough to cater for her plans, but unbeknownst to her he uses the opportunity to steer her into a different vocational path. Falling in love with one of her guests is not what she had in mind. On the other hand, Stephen's McKinley's passion was his work until he met Louise. Getting her to work for him brought his two passions together, but his concern was whether he could make the arrangement permanent without pushing her away from him.
When he learned he had ALS and roughly two years to live, literary critic Mark Krupnick returned to the writers who had been his lifelong conversation partners and asked with renewed intensity: how do you live as a Jew, when, mostly, you live in your head? The evocative and sinuous essays collected here are the products of this inquiry. In his search for durable principles, Krupnick follows Lionel Trilling, Cynthia Ozick, Geoffrey Hartman, Philip Roth, Saul Bellow, and others into the elemental matters of life and death, sex and gender, power and vulnerability. The editors—Krupnick’s wife, Jean K. Carney, and literary critic Mark Shechner—have also included earlier essays and introductions that link Krupnick’s work with the “deep places” of his own imagination.
Giant in the Shadows is the definitive biography of Robert T. Lincoln (1843-1926), the oldest son of Abraham and Mary Lincoln and their only child to live past age eighteen. Emerson, after nearly ten years of research, draws upon previously unavailable materials to cover Robert Lincoln's entire life in detail.
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
George Boone IV (1690-1753), a Quaker, emigrated from England to Abington, Philadelphia County, Pennsylvania, married Deborah Howell in 1713, and moved to Berks County, Pennsylvania. Descendants lived in Pennsylvania, Ohio, Kentucky, Tennessee, Texas, New Mexico, Colorado, California and elsewhere.