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This trade paperback collects all three books in Francois Schuiten's (winner of the prestigious Lifetime Award at the 2002 International Comics Fair in Angouleme, France) THE HOLLOW GROUNDS trilogy. The first chapter CARAPACES features six short stories, each centered on the devastating effects of man's desire. ZARA tells the tale of a hollow planet inhabited only by women and the tumultuous appearance of the first men. NOGEGON follows the main characters of ZARA in a murder mystery on a world where gravity is weak, but love is strong. SUGGESTED FOR MATURE READERS.
An original call to reorient architecture around our relationship to plants. When we look at trees, we see a form of natural architecture, and yet we have seemingly always exploited trees to make new buildings of our own. Whereas a tree creates its own structure, humans generally destroy other things to build, with increasingly disastrous consequences. In Botanical Architecture, Paul Dobraszczyk looks closely at how elements of plants—seeds, roots, trunks, branches, leaves, flowers, and canopies—compare with and constitute human-made buildings. Given the omnipresence of plant life in and around our structures, Dobraszczyk argues that we ought to build as much for plants as for ourselves, understanding that our lives are always totally dependent on theirs. Botanical Architecture offers a provocative and original take on the relationship between ecology and architecture.
Tim Beatley has long been a leader in advocating for the "greening" of cities. But too often, he notes, urban greening efforts focus on everything except nature, emphasizing such elements as public transit, renewable energy production, and energy efficient building systems. While these are important aspects of reimagining urban living, they are not enough, says Beatley. We must remember that human beings have an innate need to connect with the natural world (the biophilia hypothesis). And any vision of a sustainable urban future must place its focus squarely on nature, on the presence, conservation, and celebration of the actual green features and natural life forms. A biophilic city is more...
A growing, living house, a building made of a plant seems to be a contradiction in terms. Nevertheless, the Khasi in eastern India already knew how to connect the branches of rubber trees to form footbridges, and in southern Germany dance lime trees formed the centre of villages for centuries. Following on from this, the new discipline of Baubotanik is dedicated to designing with trees. Built projects, prototypes and visionary concepts point the way to a new green architecture. This introduction shows the possibilities of such living constructions and goes into the botanical growth laws that guide the design. The basics of constructing with trees are presented. The book encourages a whole new look at architecture that becomes part of urban nature.
The logic behind the world of the hollow grounds seems familiar to us, but is in fact a vertiginous trap. It becomes a real treat for the attentive reader to let himself slide into these chasms where elegance is just a discreet mask concealing the most terrible of weapons: intelligence.
Whereas in English-speaking countries comics are for children or adults ‘who should know better’, in France and Belgium the form is recognized as the ‘Ninth Art’ and follows in the path of poetry, architecture, painting and cinema. The bande dessinée [comic strip] has its own national institutions, regularly obtains front-page coverage and has received the accolades of statesmen from De Gaulle onwards. On the way to providing a comprehensive introduction to the most francophone of cultural phenomena, this book considers national specificity as relevant to an anglophone reader, whilst exploring related issues such as text/image expression, historical precedents and sociological implication. To do so it presents and analyses priceless manuscripts, a Franco- American rodent, Nazi propaganda, a museum-piece urinal, intellectual gay porn and a prehistoric warrior who's really Zinedine Zidane.
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This book provides both students and scholars with a critical and historical introduction to the graphic novel. Jan Baetens and Hugo Frey explore this exciting form of visual and literary communication, showing readers how to situate and analyse graphic novels since their rise to prominence half a century ago. Several key questions are addressed: what is the graphic novel? How do we read graphic novels as narrative forms? Why is page design and publishing format so significant? What theories are developing to explain the genre? How is this form blurring the categories of high and popular literature? Why are graphic novelists nostalgic for the old comics? The authors address these and many other questions raised by the genre. Through their analysis of the works of many well-known graphic novelists - including Bechdel, Clowes, Spiegelman and Ware - Baetens and Frey offer significant insights for future teaching and research on the graphic novel.
Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so diverse and so engaged with pressing social and cultural issues. Comics are being used as essential tools in debates about, for example, digital cultures, gender identities and political disenfranchisement.