You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Edited by Simona Gallo and Martina Codeluppi, Mother Tongues and Other Tongues: Creating and Translating Sinophone Poetry analyzes contemporary translingual Sinophone poetry and discusses its creative processes and translational implications, along with their intersections. How do self-translation and other translingual practices mold the Sinophone poetic field? How and why do contemporary Sinophone writers produce (new) lyrical identities in and through translation? How do we translate contemporary Sinophone poetry? By addressing such questions, and by bringing together scholars, writers, and translators of poetry, this volume offers unique insights into Sinophone Studies, while sparking a transdisciplinary dialogue with Poetry Studies, Translation Studies and Cultural Studies.
Finalist, Pegasus Award for Poetry Criticism Ezra Pound’s Cathay (1915) is a masterpiece both of modernism and of world literature. The muscular precision of images that mark Pound’s translations helped establish a modern style for American literature, at the same time creating a thirst for classical Chinese poetry in English. Pound’s dynamic free-verse translations in a modern idiom formed the basis for T.S. Eliot’s famous claim that Pound was the “inventor of Chinese poetry for our time.” Yet Pound achieved this feat without knowing any Chinese, relying instead on word-for-word “cribs” left by the Orientalist Ernest Fenollosa, whose notebooks reveal a remarkable story of su...
This volume of fourteen essays explores Chinese poetic modernism in all its facets, from its origins in the 1920s through 21st century manifestations. Modernisms in the plural reflects the complexity of the ideas and forms which can be associated with this literary-historical term. The volume’s contributors take a variety of focus points, from literary groups such as “9 Leaves” or “Bamboo Hat,” to individuals such as modernist sonneteer Feng Zhi 冯至, or Taiwan experimentalist Xia Yu 夏宇 (Hsia Yü), and Hong Kong modernist Leung Ping-kwan 梁秉钧, to non-biographically oriented chapters concerning modernist language, poetry and visual art, among other issues. Collectively, the volume endeavors to present as complete a picture of modernist practice in Chinese poetry as possible.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Longlisted for the 2022 PEN Award for Poetry in Translation, this authoritative new collection by one of China's most lauded poets is "a thrill to read" (Drew Calvert, Asymptote) "Words as Grain offers Zen koan-like poems that call for rereading and contemplation. As the poet himself says in 'Reading Great Poems, ' 'let the dialogue between thought and silence continue.' We are fortunate to be a party to this sustained and intense dialogue."--John Bradley, Rain Taxi While keeping a cautious distance from literary trends and labeling, Duo Duo has emerged as one of the world's preeminent poets. His poems respond to the Chinese political landscape from the Cultural Revolution to the Tiananmen S...
Foundational theories of epistemic justice, such as Miranda Fricker's, have cited literary narratives to support their case. But why have those narratives in particular provided the resource that was needed? And is cultural production always supportive of epistemic justice? This essay collection, written by experts in literary, philosophical, and cultural studies working in conversation with each other across a range of global contexts, expands the emerging field of epistemic injustice studies. The essays analyze the complex relationship between narrative, aesthetics, and epistemic (in)justice, referencing texts, film, and other forms of cultural production. The authors present, without seeking to synthesize, perspectives on how justice and injustice are narratively and aesthetically produced. This volume by no means wants to say the last word on epistemic justice and creative agency. The intention is to open out a productive new field of study, at a time when understanding the workings of injustice and possibilities for justice seems an ever more urgent project.
This book constitutes the refereed proceedings of the 19th International Conference on Embedded Computer Systems: Architectures, Modeling, and Simulation, SAMOS 2019, held in Pythagorion, Samos, Greece, in July 2019. The 21 regular papers presented were carefully reviewed and selected from 55 submissions. The papers are organized in topical sections on system design space exploration; deep learning optimization; system security; multi/many-core scheduling; system energy and heat management; many-core communication; and electronic system-level design and verification. In addition there are 13 papers from three special sessions which were organized on topics of current interest: insights from negative results; machine learning implementations; and European projects.
Get both books in this enemies to lovers series! Book One: Heartless My best friend's crush is going to be my stepbrother. I can't stand him, but now I have to live with him. It's a good thing that I'm not attracted to him, because that would make everything so much worse. Book Two: Breathless Cade wants a second chance, but Lexie doesn't want to get burned again. Her attraction to him is just as strong as ever, and he knows it. He'll use every dirty trick in the book to win, but Lexie has learned how to play his game too.
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
I can't stand my best friend's crush, but now I have to live with him. It's a good thing that I'm not attracted to him, because that would make everything so much worse.