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Baroque Garden Cultures
Baroque Garden Cultures proposes a new approach to the study of baroque gardens, examining the social reception of gardens as a means to understand garden culture in general and exploring baroque gardens as a feature of baroque cultures in particular.
An Oak Spring Flora
This is the latest volume in a major series that describes selections of the rare books, manuscripts, and other works of art held at Oak Spring Garden Library, a collection formed by Rachel Lambert Mellon. The 111 items chosen for this volume on floral illustration since the later Middle Ages include Books of Hours, still-life and vanitas paintings, botanical prints, and books of instruction of every kind, from planting a garden to making flowers using colored papers or wax. Lucia Tongiorgi Tomasi groups the works into chapters on such topics as florilegia, women artists, tulipomania, Dutch and Flemish painting, and exotic flowers from distant lands, providing an introduction to each chapter...
Possessing Nature
"As a study of late Renaissance naturalists, the science they practised, and the fit between that science and late Renaissance court life, the book has no rival."--Anthony Grafton, Princeton University
The Science of Naples
Long neglected in the history of Renaissance and early modern Europe, in recent years scholars have revised received understanding of the political and economic significance of the city of Naples and its rich artistic, musical and political culture. Its importance in the history of science, however, has remained relatively unknown. The Science of Naples provides the first dedicated study of Neapolitan scientific culture in the English language. Drawing on contributions from leading experts in the field, this volume presents a series of studies that demonstrate Neapolitans’ manifold contributions to European scientific culture in the early modern period and considers the importance of the c...
The Art of Natural History
"The emergence of natural science in the early modern period has been linked to the history of books, but this relationship is generally discussed in terms of texts. In contrast, the eleven essays in this volume consider the role of images and their relationship to text in the production and transmission of knowledge."--P. [4] of cover.
Visual Cultures of Science
A new collection explores the complex role of visual representation in science.
The Cambridge History of Science: Volume 3, Early Modern Science
An account of European knowledge of the natural world, c.1500-1700.
Collecting East and West
If collecting the rare and valuable is an entirely normal trait of human behaviour, amassing objects from far-away places has also long played a role in the history of collecting. “East” and “West”, or “North” and “South”, for that matter, are of course entirely relative to one’s particular geographical position. Therefore, it is interesting that collecting exotic objects is an endeavour that unites humanity over millennia and round the globe. The ancient Assyrians did so as assiduously as eighteenth-century collectors in Paris or London; Chinese emperors collected Western art and artefacts at a time when Western collectors started to gather ceramics, lacquered furniture, o...
Exotic Animals in the Art and Culture of the Medici Court in Florence
The book examines the roles that rare and exotic animals played in the cultural self-fashioning and the political imaging of the Medici court during the family’s reign, first as Dukes of Florence (1532-1569) and subsequently as Grand Dukes of Tuscany (1569-1737). The book opens with an examination of global practices in zoological collecting and cultural uses of animals. The Medici’s activities as collectors of exotic species, the menageries they established and their deployment of animals in the ceremonial life of the court and in their art are examined in relation to this wider global perspective. The book seeks to nuance the myth promoted by the Medici themselves that theirs was the most successful princely serraglio in early modern Europe.
Medici Gardens
Medici Gardens challenges the common assumption that such gardens as Trebbio, Cafaggiolo, Careggi, and Fiesole were the products of an established design practice whereby one client commissioned one architect or artist. The book suggests that in the case of the gardens in Florence garden making preceded its theoretical articulation.
