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Poetry. Multi-awarded poet Luis H. Francia offers a new poetry collection, Museum of Absences, a book out of Francia's insistent sense ofthe void that haunts our lives, whether because of politics, faith, history, or personal circumstance. The book introduces a wide arrayof personae, from a Filipino old-timer looking back on a life of invisibility to Cinderella in middle age, and from a grandson communingwith deceased grandparents to a New Yorker responding to the horror of "9/11." Nick Carbo says, "Luis H. Francia's themes of love, loss, and redemption weave through the collection with the expert hand of a Stephane Mallarme or a Federico Fellini.
Luis Francia is a poet in the tradition of Emily Dickinson and José Garcia Villa, and shares with them a compulsion to write serious poems--poems deeply concerned with the metaphysical--that are nonetheless filled with incandescent wordplay, humor, and even, at times, joy. In The Sahara of I Luis H. Francia once again shares his marvelous gift for probing insight, humor, alliterative wordplay, and serious observations of humanity in all its complexity. Francia contemplates our living and our dead, not to mention our hidden connection amid apparent isolation. Few writers wield such irony and romance simultaneously. It is a sparkling pathos, a playful gravity. --Luis H. Francia
Originally published in hardcover in 2010 by Overlook Press.
The first of Luis H. Francia's books of non-fiction to be published in the United States, The Eye of the Fish paints a vivid and detailed portrait of the terror, beauty and insistent humanity of the Philippines of today. Cross-cutting between Francia's recollections of the Philippines of his youth and accounts of his travels through the archipelago over the past two decades, The Eye of the Fish takes us the length of the nation: from Batanes in the north to the Muslim Jolo and Marawi regions of the south, and from the rugged mountain hideaways of revolutionary freedom fighte.
31 short stories and 108 poems represent a literary history of English writing in the Philippines, from the turn of the century to the present.
This memoir provides an examination of the Philippines today, an island nation marked by both Spanish and American colonialism. Explores the complexity of the Philippines, from Muslim freedom fighters' mountain hideaways in the south to the isolated Batones islands in the north.
A compelling account of the consequences of American colonialism in the Philippines through critical and visual art essays.
"This exhibition was organized to help celebrate the sesquicentennial of the San Francisco Art Institute (SFAI)"--Acknowledgements.
The Philippines, America's "showcase of democracy" and its only former colony in Asia, remains enigmatic to most Americans. What we know of this archipelago is very often condensed, filtered, or distorted y Western preconceptions and interpretations. Here, for the first time, are Filipino and Filipino American writers telling their lives in their own words. Here are stories of passion and betrayal, home and exile, the politics of the self and a nation in search of itself. Here are poems of such power and beauty that can rank among the best in the world. In these pages the reader will find familiar figures -- the greedy Marcoses, teenage gangs, game shows, rock star clones -- as well as characters and themes of every stripe and hue, from gay youngsters checking out surfer jocks in Hawai'i to Westernized girls coming out of convent school, from a searing recollection of gang rape to meditations on the spirit. Altogether, these works provide a deeper image of the Philippines and of Filipinos in America, as seen by some of the best writers from both sides of the world. Ultimately, it gives a unique and vivid perspective of America as well.