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Ontologías Indígenas en el Derecho Internacional
Este libro es una apuesta de diálogo intercultural que tiene como propósito visibilizar la relevancia de los movimientos indígenas y contribuir a develar los alcances sociales, jurídicos, ontológicos y epistémicos de sus luchas en América Latina. Se trata de un tejido de diferentes voces, experiencias y reflexiones que permite comprender cómo los movimientos indígenas han reapropiado los dispositivos de dominación, construyendo resistencias fundamentadas en sus cosmologías. En la misma línea, los textos que componen este libro reflexionan sobre las estrategias y formas con las que los pueblos indígenas han enfrentado las presunciones de imparcialidad que proclama el derecho internacional. Para hacerlo, seguimos la idea de indigenizar el derecho, tomándonos en serio el pensamiento, la historia y los haceres de los movimientos sociales indígenas, incluyendo sus variantes feministas y ambientalistas.
Espejos Astillados
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External Possession
External Possession Constructions (EPCs) are found in nearly all parts of the world and across widely divergent language families. The data-rich papers in this first-ever volume on EPCs document their typological variability, explore diachronic reasons for variations, and investigate their functions and theoretical ramifications. EPCs code the possessor as a core grammatical relation of the verb and in a constituent separate from that which contains the possessed item. Though EPCs express possession, they do so without the necessary involvement of a possessive predicate such as “have” or “own”. In many cases, EPCs appear to “break the rules” about how many arguments a verb of a given valence can have. They thus constitute an important limiting case for evaluating theories of the relationship between verbal argument structure and syntactic clause structure. They also raise core questions about intersections among verbal valence, cognitive event construal, voice, and language processing.
In Its Own Image
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The Expression of Possession
This collection of nine original articles deals with the expression of possession at various levels of grammar, morphological, phrasal, and syntactic, and from a typologically diverse range of languages (including Germanic, Oceanic, Meso-American, and Australian Aboriginal). There are two main aims. The first is to reveal something of the range of constructions employed cross-linguistically in the expression of possession, and second, to present an understanding of the possessive relation itself as a cognitive and linguistic phenomenon. A guiding principle in the selection of contributors has been to invite linguists whose research, while not necessarily directly dealing with possession, touches on it, and indicates that they are likely to provide fresh perspectives on this well-trodden field. Key features: William McGregor is a well known expert in this fíeld of research Possession is a paradigm for studies on typology, ethnology etc., because a multitude of linguistic and cultural varieties are reflected in this field new series textbook
Functional Approaches to Language
Functionalism, as characterized by Allen, (2007:254) "holds that linguistic structures can only be understood and explained with reference to the semantic and communicative functions of language, whose primary function is to be a vehicle for social interaction among human beings." Since the 1970s, inspired by the work of Jespersen, Bolinger, Dik, Halliday, and Chafe, functionalism has been attached to a variety of movements and models making major contributions to linguistic theory and to various subfields within linguistics, such as syntax, discourse, language acquisition, cognitive linguistics, typology, and documentary linguistics. Further, functional approaches have had a major impact ou...
Buffalo Heads
Images and texts document the legendary Department of Media Study at SUNY Buffalo when it set the world standard; a history of the program and examples of work by “Buffalo heads” James Blue, Tony Conrad, Hollis Frampton, Gerald O'Grady, Paul Sharits, Steina, Woody Vasulka, and Peter Weibel. Twentieth-century art history is not just a history of individuals, but of collectives, groups. Universities and colleges have had much to do with this through their support of artistic communities and creative interactions. In the 1920s and 1930s, the Bauhaus was known for this. In the 1940s, Black Mountain College became a leader in community-based visual art practice and education. And in the 1970s...
