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Wolfe
  • Language: fr
  • Pages: 12

Wolfe

  • Type: Book
  • -
  • Published: 1985
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  • Publisher: Unknown

None

Contemporary French Art 2
  • Language: en
  • Pages: 232

Contemporary French Art 2

  • Categories: Art
  • Type: Book
  • -
  • Published: 2011-05
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  • Publisher: Rodopi

Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays of Contemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of the what, the how and the why of contemporary plastic production of some of France’s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and...

Wolfe
  • Language: fr
  • Pages: 34

Wolfe

  • Type: Book
  • -
  • Published: 1989
  • -
  • Publisher: Unknown

None

Art and Language: Explorations in (Post) Modern Thought and Visual Culture
  • Language: en
  • Pages: 209

Art and Language: Explorations in (Post) Modern Thought and Visual Culture

  • Categories: Art

Art and Language: Explorations in (Post) Modern Thought and Visual Culture sheds new light on the symbiotic relationship between art and language by exploring how these cultured sets consociate on philosophical and art-historical levels. Against the backdrop of (visual) semiotics the first section of the book considers the differences between art and language from various vantage points: meaning-making, asking if art is a language, Ernst Cassirer's symbolic forms, Jan Muka?ovský's signs, and Gilles Deleuze's philosophy. The second section of the book deals with the works of (post) modern artists from diverse cultural backgrounds who unfasten traditional linguistic and artistic systems by destabilising the viewer and blurring the boundaries between art and language. The author argues that this is the most productive, cutting-edge aspect of the word-image relationship of that period. Language provides (post) modern art with its thrust and focus and offers a site for critical intervention. The artistic forays the author embarks on cover a wide range touching on Surrealism, Dada, Arabic Calligraphy, and Chinese Conceptualist Art.

Advances in Visual Semiotics
  • Language: en
  • Pages: 685

Advances in Visual Semiotics

None

Le soi et l'autre
  • Language: fr
  • Pages: 454

Le soi et l'autre

None