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Generative Worlds
  • Language: en
  • Pages: 161

Generative Worlds

Generative Worlds. New Phenomenological Perspectives on Space and Time accounts for the phenomenological concept of generativity. In doing so, this book brings together several recent phenomenological studies on space and time. Generative studies in phenomenology propose new ways of conceiving space, time, and the relation between them. Edited by Luz Ascarate and Quentin Gailhac, the collection reveals new dimensions to topics such as the generation of life, birth, historicity, intersubjectivity, narrativity, institution, touching, and places, and in some cases, the contributors invert the classical definitions of space and time. These transformative readings are fruitful for the interdisciplinary exchange between philosophy and fields such as cosmology, psychology, and the social sciences. The contributors ask if phenomenology reaches its own concreteness through the study of generation and whether it manages to redefine certain dimensions of space and time which, in other orientations of the Husserlian method, remain too abstract and detached from the constitutive becoming of experience.

Phenomenology of Broken Habits
  • Language: en
  • Pages: 297

Phenomenology of Broken Habits

This volume explores the phenomenology of broken habits and their affective, social, and involuntary dimensions. It shows how disruptive experiences impact self-understanding and social embeddedness. The chapters in this volume investigate the epistemic and existential relevance of breakdown of habits and the corresponding kinds of self-understanding available to the agent. The first part focuses on the double-sidedness of habitual life. On the one hand, habits allow us to arrange and navigate in a familiar home world; on the other hand, habits can take hold of us in such a way that we lose our sense of autonomy. The contributors argue that habitual agency is structurally carried by a dynami...

A Companion to Ricoeur's Fallible Man
  • Language: en
  • Pages: 237

A Companion to Ricoeur's Fallible Man

Fallible Man is the second book in Paul Ricoeur’s early trilogy on the will and the most accessible of his early writings. While the descriptive approach of Freedom and Nature set aside all normative questions, Fallible Man removes those brackets to examine the bad will, asking what makes evil a possibility. Combining rigor and originality, Ricoeur locates the possibility of evil in a self that is fundamentally in conflict with itself. Edited by Scott Davidson, A Companion to Ricoeur's Fallible Man clarifies and contextualizes the central arguments developed in Ricoeur’s philosophy of the will, providing insight into his formative influences and themes. The collection gathers an international group of scholars who specialize in Ricoeur’s thought to shed light on an impressive range of themes from Fallible Man that resonate with contemporary debates in philosophy and religion.

Phänomenologische Forschungen 2024-1
  • Language: en
  • Pages: 229

Phänomenologische Forschungen 2024-1

Die von Thiemo Breyer, Inga Römer und Michela Summa herausgegebenen »Phänomenologischen Forschungen« sind ein international offenes Forum für die Publikation aller im weitesten Sinne phänomenologisch orientierten Arbeiten. Aufgenommen werden Beiträge in deutscher, englischer und französischer Sprache, die Begutachtung erfolgt nach dem Verfahren des Peer-Review.

Lectures on Imagination
  • Language: en
  • Pages: 394

Lectures on Imagination

Ricoeur’s theory of productive imagination in previously unpublished lectures. The eminent philosopher Paul Ricoeur was devoted to the imagination. These previously unpublished lectures offer Ricoeur’s most significant and sustained reflections on creativity as he builds a new theory of imagination through close examination, moving from Aristotle, Pascal, Spinoza, Hume, and Kant to Ryle, Price, Wittgenstein, Husserl, and Sartre. These thinkers, he contends, underestimate humanity’s creative capacity. While the Western tradition generally views imagination as derived from the reproductive example of the image, Ricoeur develops a theory about the mind’s power to produce new realities. Modeled most clearly in fiction, this productive imagination, Ricoeur argues, is available across conceptual domains. His theory provocatively suggests that we are not constrained by existing political, social, and scientific structures. Rather, our imaginations have the power to break through our conceptual horizons and remake the world.

Ricœuriana 2
  • Language: pt-BR
  • Pages: 188

Ricœuriana 2

Este segundo número da Ricœuriana – Coleção da Associação Ibero-Americana de Estudos Ricœurianos é dedicado à questão da imagem e da imaginação, tema do dossier principal do livro. Este dossier é composto por um conjunto de capítulos explorando tópicos como a hermenêutica crítica, a imagem metafórica e a emancipação, em conexão com o tema principal, e pela tradução para português de dois textos de Ricœur: “Poesia e possibilidade” e “Arquitetura e Narratividade”. Imediatamente a seguir ao dossier temático encontra-se uma secção de varia, com um capítulo e uma recensão dedicados a aspetos do pensamento de Ricœur não diretamente ligados com o tema do dossier.

Le mal et la symbolique
  • Language: fr
  • Pages: 542

Le mal et la symbolique

The contributions in this book address the relation between evil, symbolism and psychoanalysisc by focusing on the two works of Riœur in which these topics play the most prominent role: The Symbolism of Evil and Freud and Philosophy. Furthermore, the bilingual book includes contributions that examine the relation between evil, symbolism and psychoanalysis in Ricœur’s work in a more general fashion, by investigating his philosophy as a whole. It brings together both French and English chapters from leading Ricœur scholars from over the world. The international multilinguistic perspective reflects Ricœur’s spirit who said that when he worked on a book, all of the others were simultaneously open on his writing table. It is a groundbreaking work to those interested in Ricœur, Freud and religion.

Ricœuriana 4
  • Language: es
  • Pages: 246

Ricœuriana 4

Participación y distancia, receptividad y actividad, afecto y deseo de verdad, estos son los dúos conceptuales que recorren y dan eje a este libro, que se articula en torno a una pregunta y a una intuición central. La pregunta gira en torno a la mejor disposición del yo para relacionarse con toda alteridad de modo que esta sea recibida de un modo cualitativamente más rico y acorde con su índice de verdad. La intuición es que la atención, entendida como una estructura de receptividad activa que encuentra su idea-límite en el descentramiento generoso, es dicha disposición. Basándose en las primeras elaboraciones antropológicas de Paul Ricœur, en particular en su conferencia “L'Attention” (1940), el libro describe a la atención como la forma relacional de ese cogito encarnado que somos, además, propone una relación estrecha entre atención, estima de sí y generosidad cartesiana. Explora cómo esta estructura fundamental de la subjetividad humana ilumina la articulación de lo ético con lo cognitivo y concluye sugiriendo que existe una vía de unificación que nos cualifica en nuestra humanidad a partir de un determinado ejercicio atencional.

The Ascarate Grant
  • Language: en
  • Pages: 386

The Ascarate Grant

None

L'Imagination
  • Language: fr
  • Pages: 365

L'Imagination

  • Type: Book
  • -
  • Published: 2024-03-15T00:00:00+01:00
  • -
  • Publisher: Seuil

En 1975, Paul Ricœur donne en anglais à l’Université de Chicago ce grand cours sur l’imagination resté inédit. En dix-neuf leçons, il relit l’histoire de la philosophie occidentale autour d’une opposition essentielle : d’une part, l’imagination reproductrice (picture, traduit ici par « tableau »), que la tradition a souvent critiquée comme illusoire et trompeuse, d’autre part, l’imagination productrice (fiction), qu’elle a souvent ignorée. Or c’est bien cette fonction créatrice de la fiction, dans sa capacité à inventer et à découvrir de nouvelles dimensions de la réalité, qui intéresse Ricœur. S’appuyant sur la peinture, la poésie ou le processus de...