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The Ardent Longing
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If Everyone Cared
Incomplete.
Government Gazette
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The Office
A short story from Nobel Prize–winning Alice Munro’s first collection, Dance of the Happy Shades “It is no exaggeration to state that Munro’s short stories are among the finest that have ever been written.”—The Dallas Morning News The solution came to the writer one evening: she should have an office. From Nobel Laureate Alice Munro, a brilliantly executed and revelatory story—one of the earliest published works of her career—in which simply finding a place to write turns out to be the hardest act of all. In “The Office,” a selection from her first short story collection, Alice Munro demonstrates the precise observation, straightforward prose style, and masterful technique hailed by John Updike, who wrote in the New York Times Book Review that “one must go back to Tolstoy and Chekhov . . . for comparable largeness.” “What a stunning, subtle and sympathetic explorer of the heart Munro is.”—Ron Hansen, The Washington Post A Vintage Shorts “Short Story Month” Selection
Epistemologies of the South
This book explores the concept of 'cognitive injustice': the failure to recognise the different ways of knowing by which people across the globe run their lives and provide meaning to their existence. Boaventura de Sousa Santos shows why global social justice is not possible without global cognitive justice. Santos argues that Western domination has profoundly marginalised knowledge and wisdom that had been in existence in the global South. She contends that today it is imperative to recover and valorize the epistemological diversity of the world. Epistemologies of the South outlines a new kind of bottom-up cosmopolitanism, in which conviviality, solidarity and life triumph against the logic of market-ridden greed and individualism.
Disaster Drawn
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfictio...
Statement of Disbursements of the House as Compiled by the Chief Administrative Officer from ...
Covers receipts and expenditures of appropriations and other funds.
