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"Green Bans, Red Union documents the development of a union that took a stand on a number of social issues. Apart from the green bans movement, union members also used their industrial power to defend the rights of oppressed groups, such as Aborigines, women and homosexuals. In telling the colourful story that inspired many environmentalists and ordinary citizens - and gave the word 'green' an entirely new meaning - Meredith Burgmann and Verity Burgmann open a window on a period when Australian workers led the world in innovative and stunningly effective forms of environmental protest."--BOOK JACKET.
Rick Farley was an extraordinary man. As head of the Cattlemen’s Union and National Farmers’ Federation, a key figure in the Landcare movement and a public campaigner for Indigenous rights and Reconciliation, Farley had an insider’s view of many key political and social changes in Australia over his thirty years in the public eye. Aligned at various stages with the National Party, ALP and the Australian Democrats, Farley was a political enigma who nevertheless had a straightforward mission: for all Australians ‘to care a lot better for our country’. When he died in in a tragic accident in 2006, aged 53, the overwhelming grief and heartfelt tributes of his family, friends, supporters and old adversaries spoke volumes about his achievements and his much-admired ability to find a way through adversity and complex negotiations. A Way Through is the engrossing story of a unique man whose determination and sense of justice has left a lasting legacy for many Australians.
The popular first edition established itself as both authoritative and informative; it is both a guide book and an alternative social history, told through precincts of significance to the city’s Indigenous people. The sites within the precincts, and their accompanying stories and photographs, evoke Sydney’s ancient past, and allow us all to celebrate the living Aboriginal culture of today. Now available as a phone app from iTunes or Google Play: http://bit.ly/16s9zI0
A comprehensive overview covering indigeneous Australian art, archeological traditions, styles of the contact period, nineteenth-century art trends, and the development of contemporary Aboriginal and Torres Strait Islander practices.
This book offers a window into the indigenous art collection in the Art Gallery of WA. Through comprehensive essays by past and present staff whose words are bought to life by wonderful images, this is a significant representation of the wealth of indigenous visual art and culture in the Art Gallery's collections.
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This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages.