You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Taming of the Shrew, Critical Essays provides comprehensive and up-to-date critical readings of the play. The editor has selected essays that offer the most influential and controversial arguments surrounding the play.
None
Receptive to influences of such diverse theorists as Derrida, Jameson, Foucault, Irigaray, Kristeva, Lacan and Althusser, materialist Shakespeare criticism has long since left behind the days of 'vulgar' Marxism and has emerged as a rich interpretive practice. The essays chosen for this book cover all of Shakespeare's dramatic genres and include works on King Lear, Othello, As You Like It, Measure for Measure, The Tempest, The Merchant of Venice, Henry V, Macbeth, The Taming of the Shrew and Julius Caesar. Contributors: Paul Delany; Louis Adrian Montrose; Walter Cohen; Alan Sinfield; Stephen Greenblatt; Michael D. Bristol; Katherine Eismann Maus; James R. Andreas; Robert Weimann; Graham Holderness; Lynda E. Boose; John Drakakis; Claire McEacherm; Frederic Jameson; and Ivo Kamps.
Authoring a Life illustrates how language often plays an important part in many a victim's struggle to survive the debilitating effects of father-daughter incest. For example, reading may serve as therapy, enabling a survivor to confront rather than repress painful memories, and writing may help a survivor to recover a sense of authoring both her texts and her life. The book argues that, despite the current backlash against survivor stories, language arts teachers must develop effective pedagogies for teaching father-daughter incest narratives.
The essays in Performing Maternity in Early Modern England explore maternity's textual and cultural representation, performative aspects and practical consequences from 1540-1690. They emphasize that the embodied, repeated and public nature of maternity defines it as inherently performative and ultimately central to the production of gender identity in the period.
Whilst Shakespearean drama provides eloquent calls to war, more often than not these are undercut or outweighed by compelling appeals to peaceful alternatives conveyed through narrative structure, dramatic context and poetic utterance. Placing Shakespeare's works in the history of pacifist thought, Robert White argues that Shakespeare's plays consistently challenge appeals to heroism and revenge and reveal the brutal futility of war. White also examines Shakespeare's interest in the mental states of military officers when their ingrained training is tested in love relationships. In imagery and themes, war infiltrates love, with problematical consequences, reflected in Shakespeare's comedies, histories and tragedies alike. Challenging a critical orthodoxy that military engagement in war is an inevitable and necessary condition, White draws analogies with the experience of modern warfare, showing the continuing relevance of Shakespeare's plays which deal with basic issues of war and peace that are still evident.
Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.
Enclosure—the conversion of peasants' commonly held lands to privately owned pasture—has long been considered a critical stage in the transition from feudalism to capitalism. This book is the first, however, to treat in detail the literary and cultural implications of enclosure in early modern England. Bringing together the work of both senior and younger scholars who represent a wide range of critical orientations, Enclosure Acts focuses not only on the historical fact of land enclosure, but also on the symbolic containment of sexuality in Elizabethan and Jacobean literary works. The first type of enclosure frequently has been treated by materialists and new historicists; feminists and theorists concerned with issues of gender have tended to concentrate on the second. The fourteen essays collected here explore the relationships between these two ways of perceiving enclosure in the context of cultural studies. Individual chapters examine the creation of territorial and social boundaries as well as the consequences of enclosure acts.
In this unique collection of essays, some of today’s smartest Jewish thinkers explore a broad range of fundamental questions in an effort to balance ancient tradition and modern sexuality In the last few decades a number of factors—post-modernism, feminism, queer liberation, and more—have brought discussion of sexuality to the fore, and with it a whole new set of questions that challenge time-honored traditions and ways of thinking. For Jews of all backgrounds, this has often led to an unhappy standoff between tradition and sexual empowerment. Yet as The Passionate Torah illustrates, it is of critical importance to see beyond this apparent conflict if Jews are to embrace both their rel...
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.