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The Female Characters of Fragmentary Greek Tragedy
Sheds new light on the topic of women in tragedy by focusing on neglected evidence from the fragments.
Translation as Creative–Critical Practice
In Translation as Creative-Critical Practice, Delphine Grass questions the separation between practice and theory in translation studies through her analysis of creative-critical translation experiments. Focusing on contemporary literary and artistic engagements with translation such as the autotheoretical translation memoir, performative translations and 'transtopian' literary and visual art works, this Element argues for a renewed engagement with translation theory from the point of view of translation as artistic and practice-based research capable of reframing translation theory. Exploring examples of translation as both a norm-breaking and world-making activity in the works of Kate Briggs, Ayesha Manazir Siddiqi, Noémie Grunenwald, Anne Carson, Charles Bernstein, Chantal Wright or Slavs and Tatars to name a few, this Element prompts us to reconsider the current place of translation practice in translation studies.
Ancient Wisdom in the Age of the New Science
Seventeenth-century England has long been heralded as the birthplace of a so-called 'new' philosophy. Yet what contemporaries might have understood by 'old' philosophy has been little appreciated. In this book Dmitri Levitin examines English attitudes to ancient philosophy in unprecedented depth, demonstrating the centrality of engagement with the history of philosophy to almost all educated persons, whether scholars, clerics, or philosophers themselves, and aligning English intellectual culture closely to that of continental Europe. Drawing on a vast array of sources, Levitin challenges the assumption that interest in ancient ideas was limited to out-of-date 'ancients' or was in some sense 'pre-enlightened'; indeed, much of the intellectual justification for the new philosophy came from re-writing its history. At the same time, the deep investment of English scholars in pioneering forms of late humanist erudition led them to develop some of the most innovative narratives of ancient philosophy in early modern Europe.
Ratio et res ipsa
Since 1966, when James Diggle was elected to his Fellowship at Queen's College, Cambridge, his teaching and scholarly example have inspired many of his pupils to embark on their own academic careers. In this volume fourteen former pupils have contributed essays to mark his retirement. The contributions cover many of the diverse disciplines of Classics: Greek literature, Greek language, Latin literature, Textual Criticism, Greek and Roman Culture and the History of Scholarship. James Diggle has always excelled in the teaching of Greek and Latin composition and included are two offerings in Greek verse by former pupils. The volume concludes with a bibliography of the honorand's published writings.
Reception in the Greco-Roman World
Harnesses the insights generated by 30 years of reception studies to enhance the study of classical Greek literature.
Sight and the Ancient Senses
It is to Greek critical thinking about seeing that we owe our conceptual framework for theorizing the senses, and it is also to such thinking that we owe the lasting legacy of Greco-Roman imagery. Sight and the Ancient Senses is the first thorough introduction to the conceptualization of sight in the history, visual culture, literature and philosophy of classical antiquity. Examining how the Greeks and Romans interpreted what they saw, the collection also considers sight in relation to the other senses. This volume brings together a number of interdisciplinary perspectives to deliver a broad and balanced coverage of this subject. Contributors explore the cultural, social and intellectual bac...
Henry of Blois
First modern study devoted to one of the twelfth-century's most enigmatic, influential and fascinating figures.
Imagining Telephus
Telephus, son of Heracles and king of Mysia, was a key figure in the Trojan War. Both enemy and ally of the Achaeans, he fought against them, was wounded and then cured by Achilles, and led Agamemnon’s army to Troy. This book is the first comprehensive study on his myth. It investigates fragmentary artefacts and texts, offers new readings and interpretations, and frames the evidence in its socio-political, historical, and cultural contexts. What results is a view of an ever-changing myth embedded in diverse cultural milieux, a product and a catalyst of cross-cultural exchanges, and an instrument of soft power. After assessing the sources, this book provides a contextual history of the myth...
Epic Events
An analysis of ancient Greek and Roman works alongside contemporary literature, exploring how these classics shape our understanding of the politics of time in America Ancient Greek and Roman cultures have been privileged as authoritatively timeless throughout American history. American leaders capitalize on this privilege when, during periods of crisis, they allude to these cultures to offer relief, to reestablish trust in the status quo, and to promote national unity. Analyzing texts that also draw on ancient Greek and Roman material to respond to these crises, Sasha-Mae Eccleston explains how contemporary authors and artists have questioned calls for unity that homogenize disparate experi...
The Early Textual History of Lucretius' De rerum natura
This is the first detailed analysis of the fate of Lucretius' De rerum natura from its composition in the 50s BC to the creation of our earliest extant manuscripts during the Carolingian Age. Close investigation of the knowledge of Lucretius' poem among writers throughout the Roman and medieval world allows fresh insight into the work's readership and reception, and a clear assessment of the indirect tradition's value for editing the poem. The first extended analysis of the 170+ subject headings (capitula) that intersperse the text reveals the close engagement of its Roman readers. A fresh inspection and assignation of marginal hands in the poem's most important manuscript (the Oblongus) provides new evidence about the work of Carolingian correctors and offers the basis for a new Lucretian stemma codicum. Further clarification of the interrelationship of Lucretius' Renaissance manuscripts gives additional evidence of the poem's reception and circulation in fifteenth-century Italy.
