Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Kingdom of Kush
The individual character of Kingdom of Kush has often been overshadowed by the overwhelming cultural presence of its neighbour Egypt. This handbook in our series "Handbuch der Orientalistik/Handbook of Oriental Studies" for the first time presents a comprehensive survey of the rich textual, archaeological and art historical evidence for this Middle Nile Region Kingdom of Kush. Basing itself both on the evidence and scholarly literature, this work discusses the emergence of the native state of Kush (after the Pharaonic domination in the 11th century B.C.), the rule of the Kings of Kush in Egypt (c. 760-656) and the intellectual foundations and political history of the Kingdom in the Napatan (7th - 3rd centuries) and Meroitic (3rd century B.C. - 4th century A.D.) periods.
Hellenistic and Roman Terracottas from Egypt
English summary: The catalogue of all the Egyptian terracotta objects of the Hellenistic and Roman periods in the Museum of Fine Arts, Budapest. The presentation of the individual pieces includes a full discussion of their relative chronology and their iconography. Since the material is mostly of unknown provenance, it has been possible to propose a dating almost exclusively on the basis of careful stylistic analysis. Italian description: La catalogazione di tutti gli oggetti in terracotta egiziani di epoca ellenistica e romana conservati nel Museum of Fine Arts di Budapest. La presentazione dei singoli pezzi comprende unampia discussione sulla loro cronologia relativa e sulla loro iconografia. Trattandosi infatti per la maggior parte di materiale di cui non si conosce la provenienza, e stato possibile proporre una datazione quasi esclusivamente sulla base di unaccurata analisi stilistica.
Herodotus in Nubia
"Twentieth century commentaries on Herodotus' passages on Nubia, the historical kingdom of Kush and the Aithiopia of the Greek tradition, rely mostly on an outdated and biased interpretation of the textual and archaeological evidence. Disputing both the Nubia image of twentieth century Egyptology and the Herodotus interpretation of traditional Quellenkritik, the author traces back the Aithiopian information that was available to Herodotus to a discourse on Kushite kingship created under the Nubian pharaohs of the Twenty-Fifth Dynasty and preserved in the Ptah sanctuary at Memphis. Insufficient for a self-contained Aithiopian logos, the information acquired by Herodotus complements and supports accounts of the land, origins, customs and history of other peoples and bears a relation to the intention of the actual narrative contexts into which the author of the Histories inserted it."--
Hellenizing Art in Ancient Nubia 300 B.C. - AD 250 and Its Egyptian Models
Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.
I Was There
I Was There shares the insights and experiences of the generations of students, professors and staff who lived and worked at the U of A for the past 100 years. Why go to university, and why the U of A? What have students done with their degrees after graduation? Who was Henry Marshall Tory? Doe Alik? Elizabeth Sterling Haynes? What were the radical 1960s like, and what was student life like in the 1990s? Who would know the answers to these questions better than a century's worth of alumni? After all, they were there to see it happening for themselves.
JPRS.
None
