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At Macedonio Fernández's funeral in 1952, Jorge Luis Borges delivered the following elegy: “In those years I imitated him to the point of transcription, to the point of devout and passionate plagiarism. I felt: Macedonio is metaphysics, Macedonio is literature.” This is the first book available in English that collects essays by the world's leading scholars on Macedonio Fernández, one of Borges's most important mentors and a still enigmatic thinker of the early 20th century. Macedonio's philosophy, metaphysics, ethics, and experimental writing laid the foundations for Borges's own theoretical and literary matrix. Nonetheless, Borges helped shape a myth of Macedonio as a thinker who cou...
An anti-novel.' It opens with more than fifty prologues-including ones addressed 'To My Authorial Persona,' 'To the Critics,' and 'To Readers Who Will Perish If They Don't Know What the Novel Is About'-that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart 'skip-around readers' (by writing a book that's defies linearity!). The novel itself, is about a group of characters (some borrowed from other texts) who live on an estancia called 'la novella''
"The Self of the City shows Macedonio's work to be a highly systematic effort to "save the city" from the ills of modernity. Responding directly to the context of early twentieth-century Buenos Aires, Macedonio rejects modern culture as inherently paradoxical and pernicious, hinging on the unsustainable fallacy of Descartes' autonomous self."
Explores the many faces of power as revealed in twentieth-century Spanish-American fiction.
Long a scholar of Romance languages at Syracuse University, Lichtblau (1925-2000) extended his 1997 bibliography from 1990 through 1999 and added some earlier works left out of the original. Citations from the mother volume are included but without the critical commentaries and bibliographical references. The arrangement is alphabetical by author, and the articles discuss, in Spanish, both novels and critical studies of them and of the author. No index is provided. Annotation copyrighted by Book News, Inc., Portland, OR
Combining spirited and philosophical conversations, biographical anecdotes, citations from poetry, and literary analysis, this is a poignant portrait of Jorge Luis Borges in his later years. It presents the poet-storyteller as a figure of paradox and contradictions.
A gang of street kids, an anonymous radio announcer, a detective from the future, a presidential assassination attempt and a frequently mistaken narrator all play a part in this jumble of introductions to an open-source novel inspired by the works of Macedonio Fernandez.
Alicia Borinsky argues that the contemporary Latin American novel does not just ingeniously dismantle the referential claims of the more traditional novel; it offers a postmodern version of the lessons taught by fiction. Latin American fiction, perhaps the most inventive literature of recent decades, seems marked by its self-reflexivity, by its playful relationship to history and the everyday, and by its concerns with the ways in which language works. But is it, Borinsky asks, really a literature whose primary goal is to raise metafictional questions about writing and reading? While the effects of this literature include dismantling the illusions of realism, naturalism, and historicism, the ...