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Artistic Disobedience
In Artistic Disobedience Claudio Bacciagaluppi shows how music practice was an occasion for cross-confessional contacts in 17th- and 18th-century Switzerland, implying religious toleration. The difference between public and private performing contexts, each with a distinct repertoire, appears to be of paramount importance. Confessional barriers were overcome in an individual, private perspective. Converted musicians provide striking examples. Also, book trade was often cross-confessional. Music by Catholic (but also Lutheran) composers was diffused in Reformed territories mainly in the private music societies of Swiss German towns (collegia musica). The political and pietist influences in the Zurich and Winterthur music societies encouraged forms of communication that are among the acknowledged common roots of European Enlightenment.
The Emergence of Tolerance in the Dutch Republic
The fruit of a colloquium held in 1994 in the Netherlands, this collection of papers charts the emergence and vicissitudes of the concept of tolerance and its practical implications in the Dutch Republic, from the revolt against Spain in the sixteenth century to the early eighteenth century.
Liturgy Wars
The nineteenth century was a period of intense religious conflict across Europe, as people confronted the major changes brought by modernity. In Zurich, one phase of this religious conflict was played out in a struggle over revisions to the ritual of baptism. In its analysis of the Zurich conflict, Liturgy Wars offers a strategy for understanding the links between theology, ritual, and socio-politics. Theodore M. Vial offers a new perspective on contemporary ritual studies - and critiques the cognivist approaches of Lawson and McCauley, as well as Catherine Bell's analysis of power and the body - by reintergrating the imporatance of speech acts into considerations of ritual.
