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Lucinda Sly
Lucinda Sly is a historical novel from one of the great contemporary Irish language prose writers, Maidhc Dainín Ó Sé. Now celebrated poet Gabriel Fitzmaurice brings this gripping account alive in English. Based on real events that took place in Carlow in 1834-35, Lucinda Sly tells the story of Lucinda Singleton, a widowed mother who married Walter Sly, a well-to-do farmer. He was a drunkard and a brute who so abused his wife that she and her lover, their farm hand John Dempsey, conspired to murder him. They were hanged side by side in public outside Carlow Gaol on March 30, 1835. Lucinda Sly draws a vivid picture of nineteenth-century Ireland, revealing what was often a harsh and unjust society. A haunting and vibrant tale that will remain with you. Lucinda Sly was an award winner at Oireachtas na Gaeilge 2008.
A thig ná tit orm
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House Don't Fall on Me
This is the story of a young boy growing up in the West Kerry Gaeltacht in the 1940s and 1950s. It describes the fun and games of his schooldays, his accordion playing for ceilis as a teenager, his emigration to London unknown to his parents, his meeting up with his brother and working there, his further emigration to Chicago and his marriage and eventual return to Ireland. Maidhc Dainin describes how the musicians he played with in Chicago lost their hearts and minds in the music. He describes piano playing, accordion playing and fiddle playing and the music (and the craic!) is resonant from his descriptions. Maidhc Dainin's Irish is colloquial, conversational and without any airs and graces.
Madrai Na NOcht GCos
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Mair, a Chapaill
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Cara Go Brách
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Punt isló
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Corcán Na DTrí GCos
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Greenhorn
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A History of Irish Working-Class Writing
A History of Irish Working-Class Writing provides a wide-ranging and authoritative chronicle of the writing of Irish working-class experience. Ground-breaking in scholarship and comprehensive in scope, it is a major intervention in Irish Studies scholarship, charting representations of Irish working-class life from eighteenth-century rhymes and songs to the novels, plays and poetry of working-class experience in contemporary Ireland. There are few narrative accounts of Irish radicalism, and even fewer that engage 'history from below'. This book provides original insights in these relatively untilled fields. Exploring workers' experiences in various literary forms, from early to late capitalism, the twenty-two chapters make this book an authoritative and substantial contribution to Irish studies and English literary studies generally.
