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Reproducing Rome
In the conservative and competitive society of ancient Rome, where the law of the father (patria potestas) was supposedly absolute, motherhood took on complex aesthetic, moral, and political meanings in elite literary discourse. Reproducing Rome is a study of the representation of maternity in the Roman literature of the first century CE, a period of intense social upheaval and reorganization as Rome was transformed from a Republic to a form of hereditary monarchy under the emperor Augustus. Through a series of close readings of works by Virgil, Ovid, Seneca, and Statius, the volume scrutinizes the gender dynamics that permeate these ancient authors' language, imagery, and narrative structur...
Tales of Ballycumber
Here, now, listen, I'll tell you a tale . . . Daffodils are in bloom as dawn breaks over the foothills of Ballycumber, ushering in hope for a new day and stirring the ghosts of a past fraught with sorrow, anguish and emptiness. In search of advice, young Evans Stafford calls at the home of friend and strong-minded traditionalist, Nicholas Farquhar. The following day, as Farquhar learns the devastating consequences of this meeting, he discovers that his memories and words are governed by a buried history; a force far greater than himself. Sebastian Barry's Tales of Ballycumber premiered at the Abbey Theatre, Dublin, in September 2009.
The Complete Tragedies, Volume 1
Volume 1 contains the following plays attributed to Seneca: Medea, The Phoenician Women, Phaedra, The Trojan Women, Octavia--obviously it has a slightly female spin.
A History of the Roman Empire in 21 Women
Rome as you’ve never seen it before – brazenly unconventional, badly behaved and ever so feminine. ‘Hugely entertaining and illuminating’ —Elodie Harper, author of The Wolf Den A WATERSTONES BEST HISTORY BOOK OF 2023 Here’s how the history of the Roman Empire usually goes… We kick off with Romulus murdering his brother, go on to Brutus overthrowing Tarquin, bounce through an appallingly tedious list of battles and generals and consuls, before emerging into the political stab-fest of the late Republic. After ‘Et tu, Brute?’, it runs through all the emperors, occasionally nodding to a wife or mother to show how bad things get when women won’t do as they’re told, until Con...
Transgressive Heroism
Roman epic is traditionally understood to advance a masculine, martial form of heroism. In his version of the Argonaut legend, the Argonautica, however, Valerius Flaccus challenges that prevailing ethos of the genre by turning Medea, Jason’s love interest in the story, into a heroic figure and Jason himself into her emasculated victim. The present study charts this plotline as it unfolds in the second half of Valerius’ epic, finding its key source of inspiration in the poetry of Ovid with its tales of transgressive love, gender-bending, and unconventional heroism. Employing an extensive program of allusion to his Metamorphoses and elegiac works, Valerius transforms Medea from the innocent, vulnerable girl we see in her first appearance in the poem into a threatening, powerful, and masculine figure, who not only helps Jason fulfill his quest for the golden fleece, but eclipses him as hero in the process. Readers of this study will gain insight into Valerius’ inventive reworking of the Argonaut myth and innovations within the epic genre as well as a greater appreciation for Ovid’s influence on Roman epic poetry in the first century CE.
The Sublime Seneca
Introduction -- Misreading Seneca -- Writing metaphysics -- The nature of Seneca -- The spectacle of ethics -- Losing Seneca -- The analytics of desire -- The last monster -- Conclusion: the metaphysics of Senecan morals -- Notes -- Bibliography -- Index.
Ireland and the Popish Plot
The first expansive study of how when the Popish Plot of 1678 came to light, fears of an Irish Catholic rebellion amongst Ireland's uneasy Protestant elite, who dominated over the Catholic majority population, were manipulated in England in an attempt to block the Catholic Duke of York from succeeding to the throne.
Tragédias (Volume II)
Com a edição do segundo volume, as Edições 70 publicam toda a dramaturgia de Séneca, o único teatro romano que chegou aos nossos dias. Apreciado por renascentistas e barrocos, mas desprezado por românticos, o teatro de Séneca recebeu, a partir do século XX, um interesse em proporções até então desconhecidas. Em Portugal, no entanto, a sua obra permanecia por conhecer e estudar. A publicação das tragédias completas de Séneca em dois volumes vem pôr fim a este alheamento.
Virgil's Ascanius
Offers a fresh interpretation of Virgil's Aeneid via a detailed study of its child hero, Ascanius, young son of Aeneas.
