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The Last Knight
Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Models of Political Competence
Offering a systematic analysis of texts produced at the courts of Burgundy and Austrian Habsburg over a period reaching from the 1470s until the early 1700s, this book traces the development of the idea of successful and competent political behaviour as seen through the eyes of court historians between the fifteenth and the eighteenth centuries. The official chronicles and histories studied in this work not only reveal a growing influence of secular political thinking on the evolving model of political competence, but also present in detail the close relationship between the nascent state ideology and secular political theory. More broadly, following the development of official history-writing, Models of Political Competence highlights the importance of historiography for the research on political thinking and its relevance for our understanding of the modern state in Europe and its origins.
Maximilian I.
Die Heirat Maximilians mit Maria von Burgund (1477), die weitgehende Behauptung des burgundischen Erbes gegenüber Frankreich, die Wahl Maximilians zum Römischen König (1486) und die spanisch-habsburgische sowie die habsburgisch-ungarische Doppelhochzeit (1496/97 bzw. 1515), welche den Grundstein für das Reich Karls V. bzw. für die Donaumonarchie legten, brachten die Habsburger nach den Rückschlägen im 14. und 15. Jahrhundert wieder zurück auf die politische Bühne Europas und leiteten das Jahrhundert des Hauses Österreich ein. Wie Maximilian als Herrscher und Mensch diesen Weg ging, welche Mittel er dafür einsetzte und welche Ziele er dabei verfolgte, ist von den Historikern durchaus kontrovers beurteilt worden. Die facettenreiche Politik und Persönlichkeit Maximilians nachzuzeichnen, in der sich auch vielfach die Brüche des Übergangs vom Mittelalter zur Neuzeit spiegeln, ist spannender Gegenstand dieses Buches.
Emperor Maximilian I and the Age of Dürer
One of Maximilian's most important legacies is the work created in his honor by some of the greatest artists of his time, most notably Albrecht Dürer. Today many of these works reside in the Albertina Museum in Vienna, and they are featured in this elegant volume. In addition to works by Dürer, the book includes reproductions of the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, and the monumental woodcut Arch of Honor. This book explores the artistic culture of Maximilian's era, with numerous examples from the Albertina's own collection as well as painted portraits, exquisite illuminated manuscripts, precious sculptures, and splendid tapestries from some of the world's leading museums. Brought together in this elegant volume, these works offer valuable insight into Maximilian's public relations machinery. The book also features scholarly articles devoted to Maximilian's complex artistic projects that will become key to the literature on Emperor Maximilian and the art of his time.
Emperor Maximilian I and the Age of Dürer
One of Maximilian's most important legacies is the work created in his honour by some of the greatest artists of his time, most notably Albrecht Dürer. Today many of these works reside in the Albertina Museum in Vienna, and they are featured in this elegant volume. In addition to works by Dürer, the book includes reproductions of the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, and the monumental woodcut Triumphal Arch. This book explores the artistic culture of Maximilian's era, with numerous examples from the Albertina's own collection as well as painted portraits, exquisite illuminated manuscripts, precious sculptures and splendid tapestries from some of the world's leading museums. Brought together in this elegant volume, these works offer valuable insight into Maximilian's public relations "machinery." Exhibition: Albertina, Vienna, Austria (14.9.2012-6.1.2013).
The Habsburgs
A survey of the history of the Habsburgs, examining their political evolution from the Middle Ages to the twentieth century.
The Holy Roman Empire, 1495-1806: A European Perspective
This text offers a collective exploration of aspects of cross-border and transnational interaction in the Holy Roman Empire.
The Middle Ages
Since the fifteenth century, when humanist writers began to speak of a “middle” period in history linking their time to the ancient world, the nature of the Middle Ages has been widely debated. Across the millennium from 500 to 1500, distinguished historian Johannes Fried describes a dynamic confluence of political, social, religious, economic, and scientific developments that draws a guiding thread through the era: the growth of a culture of reason. “Fried’s breadth of knowledge is formidable and his passion for the period admirable...Those with a true passion for the Middle Ages will be thrilled by this ambitious defensio.” —Dan Jones, Sunday Times “Reads like a counterblast ...
In the World of Vlad
The life (in fact the lives) of Vlad III the Impaller or Dracula is a Rorschach test. Everybody sees what they want to see in the “documentary stains”. And these “stains” are expanding. Based on research in the archives and libraries of Budapest, Dubrovnik, Genoa, Mantua, Milan, Modena, Munich, Rome, Venice and Vienna, the book focuses on the conflictive medieval, and modern images created by the clash between the classical pictures of Vlad and the still preserved coeval sources.
