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Medieval Beasts Colouring Book
Medieval Manuscript Art, the Medieval Bestiary, and the Japanese Woodblock Print are art that is largely unrecognized. Vincent Van Gogh was a huge fan of the Japanese Woodblock Print. He collected the Prints of Ishikawa Hiroshige. This is a brand new style of a colouring book. It contains not only graphic imagery to colour, but each graphic is accompanied by a copy of the original. It is also accompanied by a link to the original. And for another colouring experience, Japanese Woodblock Prints are included to be coloured. Vincent Van Gogh was a huge fan of the Japanese Woodblock Print. He collected the prints of Ishigawa Hiroshige. Your challenge, dear reader, is to try and determine who invented the starry night motif, Van Gogh or Hiroshige. This is a brand new style of colouring book. It contains not only imagery to colour, but each graphic is accompanied by a copy of the original. It is also accompanied by a link to the original. These links are provided so that people can study the historical context of the imagery provided. the Japanese Woodblock Prints are included to be coloured. Fun fun fun.
OECD Public Governance Reviews Integrity Review of Public Procurement in Quebec, Canada A Strategic Approach to Corruption Risks
This report analyses the progress made in implementing the recommendations of the Charbonneau Commission and benchmarks these measures against good practices in OECD countries.
Chambers's Journal
None
Chinese Opera Makeup and Costumes (1644 - 1911)
This album of pictures shows makeup for characters in the Peking opera. It is the work of a court painter in or after the Tongzhi reign (1851-74). In the Qing dynasty, an Office of Great Peace was established to manage the court dramatic troupe. When seasonal command performances and congratulatory ceremonies were held, this office was responsible for putting on plays. The makeup of the characters in the plays generally followed a set repertoire of faces and colors. The paintings in this book show makeup for nine different kinds of plays. The illustrations are skillfully done, the colors are fresh, and both the silk ground and the pigments are of the highest quality. In all likelihood, the album was an "object for the enjoyment of his or her majesty." The album is highly valued for its art and for the information it contains and constitutes a precious historical resource for the study of clothing and makeup in the early Peking opera. (1644 - 1911)World Digital Library (wdl.org)
Chambers's Edinburgh Journal
Reprint of the original, first published in 1841.
