You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As Andrés Bello predicted in 1823, the glory of Simón Bolívar has continued to grow since the Spanish American Revolution. The Revolution is still viewed as an almost mythical quest, and the name of the Libertador has become synonymous with the region's hopes for integration. In this 1992 book, the official history of the Revolution - the heroic history of Bolívar - is replaced by the account of Bello, who was first Bolívar's teacher and later his critic. Through a detailed study of the manuscripts of Bello's unfinished poem América, Antonio Cussen reconstructs Bello's version of the Revolution and seeks to understand its political and cultural consequences. The author argues that Bello recorded the disintegration of the Augustan model of power and intimated the inevitable approach of liberalism with a certain longing for the classical culture of his youth.
Corporations, business groups and other business organizations are increasingly concerned about social challenges that directly impact the future of capitalism. Colombia s Fundación Social (FS) a century-old Latin American business group has from its start operated under two different but closely intertwined rationales: as a market, profit-seeking player; and as a civil society organization practicing solidarity. Social aims are at the core of FS mission, and business firms are instrumental. Remarkably, despite decades of growth as a ranking business group, FS underlying objective remained grounded in concern for the poor: To fight the structural causes of poverty.
A compilation of essays exploring regionalism in Latin America which seek to fill historical gaps created by the reading of Latin American literature either through a totalizing view of a globalized culture or through universal formulae for reading offere
Volume 24
"Latin: A Symbol's Empire is a work of reference and a piece of cultural history: the story of a language that became a symbol with its own, highly significant empire."--BOOK JACKET.
The portraits of kings that we present in this book allow us to think about the complex relationship between law, religion and sovereign power in the Middle Ages. We seek to answer the question about how medieval artists saw the relationship between king, law and faith and how these works of art helped to build, on the visual plane, the symbolic legitimacy of sovereign power. Following the historical trail of Peterson, Schmitt, Kantorowicz and Agamben, we can observe today the relationship between the body and the acclamation and glorification of the sovereign inscribed in these works of art. They are paintings, frescos and illuminations that constitute the founding political iconography of the image that we have and make of Law and the State. The chronological organization of the images corresponds to Kantorowicz's thesis, according to which the mystical body of the king had first, a Christocentric, then a legal and, finally, a governmental foundation. First, the king as an image of Christ, then, as an image of Law and Justice, and finally, in the early Middle Ages, the king as a government.
Though not without its rivals, Latin stood at the apex of Western culture from the Renaissance until relatively recently. Franoise Waquet offers an enthralling, original history of the language's uses, its detractors and defenders, and the social hierarchies its practitioners inscribed. Granted a new lease of life by the Humanists and the Catholic Church, Latin was the form in which generations of schoolchildren were taught to read, millions of people worshipped, and an international community of scholars communicated with one another. It conveyed sacredness, but also obscenity; learning, as well as pedantry; science, but also trickery and mumbo-jumbo. Few individuals even among the clergy or the most learned scholars have ever managed to speak it with any degree of correctness or fluency, let alone elegance. Why, despite rationalist criticisms that Latin was inaccessible to the great majority of people, and inconvenient and time-consuming for the rest, did it maintain such a strong presence - some would say a tyranny - for so long?
The Latin American novel burst onto the international literary scene with the Boom era--led by Julio Cortázar, Gabriel García Márquez, Carlos Fuentes, and Mario Vargas Llosa--and has influenced writers throughout the world ever since. García Márquez and Vargas Llosa each received the Nobel Prize in literature, and many of the best-known contemporary novelists are inspired by the region's fiction. Indeed, magical realism, the style associated with García Márquez, has left a profound imprint on African American, African, Asian, Anglophone Caribbean, and Latinx writers. Furthermore, post-Boom literature continues to garner interest, from the novels of Roberto Bolaño to the works of Cés...