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Memoir of an Only Child
  • Language: en
  • Pages: 228

Memoir of an Only Child

  • Type: Book
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  • Published: 2021-09-19
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  • Publisher: Unknown

Michel Gervais share his youth's feelings on life, war, and love between 1939 and 1969.

Some Days a Fallen Insect Greets Me in Its Wake
  • Language: en
  • Pages: 266

Some Days a Fallen Insect Greets Me in Its Wake

  • Type: Book
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  • Published: 2022-01-18
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  • Publisher: Unknown

The musings of a man's journey through anxiety, phobias, and his ultimate recovery through love.

The Book of Immortality
  • Language: en
  • Pages: 416

The Book of Immortality

An exploration of one of the most universal human obsessions charts the rise of longevity science from its alchemical beginnings to modern-day genetic interventions and enters the world of those whose lives are shaped by a belief in immortality.

Ingmar Bergman
  • Language: en
  • Pages: 340

Ingmar Bergman

Ingmar Bergman has long been revered as a master craftsman of cinema, whose works are intensely revealing of himself while resonating powerfully with his audience. This book explores how Bergman achieves this cinematic magic through specific choices in the use of film language and the texturing and structuring of his images, sounds, and rhythms.

A Certain Realism
  • Language: en
  • Pages: 394

A Certain Realism

Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films—Accattone, The Canterbury Tales, Medea, Saló—continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Masterfully combining analyses of Pasolini's literary and theoretical writings and of all his films, Maurizio Viano offers the first thorough study of Pasolini's cinematic realism, in theory and in practice. He finds that Pasolini's cinematic career exemplifies an "expressionistic realism" that acknowledges its subjective foundation instead of striving for an impossible objectivity. Focusing on the personal and expressionistic dimensions of Pasolini's cinema, Viano also argues that homosexuality is present in the films in ways that critics have thus far failed to acknowledge. Sure to generate controversy among film scholars, Italianists, and fans of the director's work, this accessible film-by-film treatment is an ideal companion for anyone watching Pasolini's films on video.

Mémoire d'un fils unique
  • Language: fr
  • Pages: 228

Mémoire d'un fils unique

  • Type: Book
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  • Published: 2021-09-19
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  • Publisher: Unknown

Michel Gervais nous livre ses sentiments de jeunesse sur la vie, la guerre, et l'amour entre 1939 et 1969.

Ingmar Bergman
  • Language: en
  • Pages: 337

Ingmar Bergman

Ingmar Bergman has long been revered as a master craftsman of cinema, whose works are intensely revealing of himself while resonating powerfully with his audience. This book explores how Bergman achieves this cinematic magic through specific choices in the use of film language and the texturing and structuring of his images, sounds, and rhythms.

A Poetics of Resistance
  • Language: en
  • Pages: 224

A Poetics of Resistance

A Poetics of Resistance: Narrative and the Writings of Pier Paolo Pasolini examines the writings of the Italian poet, novelist, filmmaker, theorist, and dramaturg.

Compass Points
  • Language: en
  • Pages: 417

Compass Points

Compass points is a radical new history of the twentieth century. Plot your own course through a wide range of creative and forthright articles by some of Canada's best essayists and authors. Each section, organized by decade, grapples with crucial developments in politics, economics, society, and culture in canada and abroad.

Passion and Defiance
  • Language: en
  • Pages: 412

Passion and Defiance

Since World War II, aesthetic impulses generated in Italy have swept through every film industry in the world, and in her book Mira Liehm analyses the roots in literature, philosophy, and contemporary Italian life which have contributed to this extraordinary vigor. An introductory chapter offers a unique overview of the Italian cinema before 1942. It is followed by a full and profound discussion of neorealism in its heyday, its difficult aftermath in the fifties, the glorious sixties, and finally by an analysis of the contemporary cinematic crisis. Mira Liehm has known personally many of the leading figures in Italian cinema, and her work is rich in insights into their lives and working methods. This impressive scholarly work immediately outclasses all other available Italian film histories. It will be essential reading for anyone seriously interested in the cinema.