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"Ma Place" raconte l'avènement d'un Coup d'État militaire qui change en profondeur la vie d'une famille et d'un pays. Dans ce récit auto-biographique, la mémoire a eu le temps de déformer, retourner, distiller les évènements et dans ce jeu certains souvenirs se sont évanouis, d'autres ont persisté et forment la trame de cette histoire. Rosalinda, l'alter-ego de l'autrice, n'a que dix ans quand l'Histoire de son pays prend un tournant totalitaire. Elle est alors confrontée à l'arbitraire, à la détresse des adultes, au départ de sa mère et finalement à la grande aventure de l'exil. LE récit est riche d'impressions sensorielles, il est teinté par la vitalité du monde ludique de la Place, qui est au coeur des souvenirs Ma Place, est illustré par le dessinateur Patrick Bonjour qui apporte un regard à la fois malicieux et poignant sur les événements.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Over the last three decades, a significant amount of research has sought to relate educational institutions, policies, practices and reforms to social structures and agencies. A number of models have been developed that have become the basis for attempting to understand the complex relation between education and society. At the same time, national and international bodies tasked with improving educational performances seem to be writing in a void, in that there is no rigorous theory guiding their work, and their documents exhibit few references to groups, institutions and forces that can impede or promote their programmes and projects. As a result, the recommendations these bodies provide to...
This book analyzes how the past and its representation in the public space have been a source of conflict in Chile since the end of the Pinochet regime. From a multi-disciplinary perspective (sociology, anthropology and history), it studies the work of seven organizations of memory and human rights in Santiago, Chile, the struggles in which they are engaged, and the main debates that have arisen in the country around the themes of impunity, truth and memory. Covering the period from 1998 to 2018, this book begins its analysis with the detention of Augusto Pinochet in London and concludes with the end of the second term of Michelle Bachelet. The seven organizations studied range from family g...
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Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
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In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...