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Barbara Browning combines a lyrical, personal narrative with incisive theoretical accounts of Brazilian dance cultures. While she brings ethnographic, historiographic, and musicological scholarship to bear on her subject, Browning writes as a dancer, fully engaged in the dance cultures of Brazil and of Brazilian exile communities in the U.S.
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Packed with over 600 high quality illustrations, this practical handbook covers both the key principles of thoracic imaging, including the relevant principles, dose considerations, and radiological signs and their meaning, and the different pulmonary diseases.
The sound of ships' bells, sea waves, and migratory birds fuel Neruda's longing to retreat from life's noisy busyness. Stripped to essentials, these poems are some of the last Neruda ever wrote, as he pulled "one dream out of another." Includes the final lovesong to his wife, written in the past tense: "It was beautiful to live / When you lived!" Bilingual with introduction. "Deeply personal, expansive, and universal... majestic and understated beauty."ÑPublishers Weekly
This book integrates research on the production and marketing of basic foodstuffs for local needs into an investigation of slavery and export agriculture. It opens new perspectives for understanding how, during more than three centuries, slavery, plantations, and export agriculture shaped social and economic life in Brazil.
Bossa nova is one of the most popular musical genres in the world. Songs such as “The Girl from Ipanema” (the fifth most frequently played song in the world), “The Waters of March,” and “Desafinado” are known around the world. Bossa Nova—a number-one bestseller when originally published in Brazil as Chega de Saudade—is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Jo+o Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro’s wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto’s singular vision into the sound of a generation.
Recognized as a turning point in Brazilian literature, this entertaining novel of urban manners follows the ne'er-do-well Leonardo through his various romantic liaisons and frequent scrapes with the law. First printed in weekly installments in 1852, and later published in two volumes in 1854-55, Memoirs of a Militia Sergeant comprises a series of humorous vignettes held together by the adventures and misfortunes of this young rogue--who matures from a handful of a toddler into a ruffian of a boy and an idler of a young man--and his father, also named Leonardo. Manuel Antônio De Almeida tells a story in everyday language that is rich in detail of life on the streets and the modest circumstances of the free poor of Rio de Janeiro. Through satirical accounts of the escapades of characters who always seem close to the brink of some personal crisis or social misstep, yet who manage to pull through by hook or by crook, Almeida makes a subtle and incisive comment on Brazilian urban society and culture of the nineteenth century. Now available in a new and lively translation, Memoirs of a Military Sergeant occupies an important position in the satirical literature of Brazil and the world.
Alberto Breccia is recognized as one of the greatest international cartoonists in the history of comics and Mort Cinder is considered one of his finest achievements. Created in collaboration with the Argentine writer Héctor Germán Oesterheld, best known in the U.S. for his politically incendiary sci-fi masterpiece, the Eisner Award-winning The Eternaut, Mort Cinder is a horror story with political overtones. This episodic serial, written and drawn between 1962–1964, is drawn by Breccia in moody chiaroscuro. The artist’s rubbery, expressionistic faces capture every glint in the eyes of the grave robbers, sailors, and slaves that populate these stories; while the slash of stripes of prisoners’ uniforms, the trapeziums of Babylon, and more create distinct and evocative milieus.