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Text and Image in Modern European Culture
Text and Image in Modern European Culture is a collection of essays that are transnational and interdisciplinary in scope. Employing a range of innovative comparative approaches to reassess and undermine traditional boundaries between art forms and national cultures, the contributors shed new light on the relations between literature and the visual arts in Europe after 1850. Following tenets of comparative cultural studies, work presented in this volume explores international creative dialogues between writers and visual artists, ekphrasis in literature, literature and design (fashion, architecture), hybrid texts (visual poetry, surrealist pocket museums, poetic photo-texts), and text and im...
Henri Michaux
Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted critical attention, it has up until now been treated as a marginal concern. This study argues that Michaux's ideas on universal languages are central to an understanding of his works.
The Masorah of Elijah ha-Naqdan
Following Levita’s statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an u...
State Construction and Art in East Central Europe, 1918-2018
This volume offers a comprehensive perspective on the relationship between the art scene and agencies of the state in countries of the region, throughout four consecutive yet highly diverse historical periods: from the period of state integration after World War I, through the communist era post 1945 and the time of political transformation after 1989, to the present-day globalisation (including counter-reactions to westernisation and cultural homogenisation). With twenty-three theoretically and/or empirically oriented articles by authors from sixteen countries (East Central Europe and beyond, including the United States and Australia), the book discusses interconnections between state polic...
Apparitions, Daemons, and Emanations
The book presents a new study of the visual arts and poetry in the work of three well-known French writers and artists from the mid-twentieth century—Georges Bataille, Pierre Klossowski, and Henri Michaux. Each was fiercely independent, belonging to no school, academy, or political persuasion. What do they have in common? While the book's three central essays do not initially set out to establish comparisons between these writers, common ground emerges: a shared combat against culture, a shared non-representational artistic practice. Their writing, poetry, and painting offer not a portrayal of things or ideas but rather an emanation or apparition of the unknown and the infinite, one charged with deepening art's relation to life.
Colonial Counterpoint
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines ...
Return to Reflexivity
This slim volume contains four little-known texts by Pierre Bourdieu on the question of reflexivity, which was a key theme in his work. For Bourdieu, reflexivity was not an exercise in introspection but rather a way of applying the tools of sociology to itself. The aim is to make explicit and control the effects of the presuppositions, standpoints and dispositions that the researcher brings to the conduct of social science research. Bourdieu advocates an attitude of epistemological vigilance that helps to uncover the invisible effects of the social determinants that weigh on the researcher, effects that are difficult to perceive by the mere desire to be lucid. Questioning the social position and presuppositions of the researcher at every opportunity loosens the hold of scholastic and other biases on the outcome of research. By clarifying and illustrating the principles of reflexivity, the four texts in this volume lay the groundwork for the kind of reflexive social science that Bourdieu practised and advocated throughout his career.
Twentieth-Century French Poetry
A selection of modern French poems with critical commentary, glossary of literary terms, biographies and bibliography.
A Sociology of Seeking
A response to the depletion of the rhetoric of sociology and the spiritual capital of theology, this volume explores the remains of Christianity that still lurk as portents in a progressively de-Christianised society seeking replacements for belief. With the sociologist set in the role of an oracle seeking traces of Christianity in a discipline in which the intrusion of theological understandings has become harder to resist, it offers a narrative of belief following the direction of an exemplary portent: the finger. Through the exploration of broad trends in culture and modern history, this study, informed by interactionist thought, examines both the place of sociology in Christian theology, and the failure of theology to connect to its surrounding culture, asking how the two disciplines might meld profitably together. As such, it will appeal to social theorists and theologians, as well as sociologists with interests in religion, culture and secularisation.
French XX Bibliography
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
