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Text and Image in Modern European Culture
Text and Image in Modern European Culture is a collection of essays that are transnational and interdisciplinary in scope. Employing a range of innovative comparative approaches to reassess and undermine traditional boundaries between art forms and national cultures, the contributors shed new light on the relations between literature and the visual arts in Europe after 1850. Following tenets of comparative cultural studies, work presented in this volume explores international creative dialogues between writers and visual artists, ekphrasis in literature, literature and design (fashion, architecture), hybrid texts (visual poetry, surrealist pocket museums, poetic photo-texts), and text and im...
Henri Michaux
Henri Michaux is widely recognized as a major twentieth-century French poet and painter. Although his fascination with universal languages has attracted the attention of several of his critics, it has up until now been treated as a marginal concern. Henri Michaux: Poetry, Painting, and the Universal Sign argues that his ideas on what might constitute a universal language are central to an understanding of his works. It suggests that both his ambivalent articulation of his relationship to the languages and literary traditions of his native Belgium and adoptive France, and his efforts simultaneously to exacerbate and subvert the differences between words and images, are rooted in Enlightenment theories of the relationship of the self to nature and its language Rigaud-Drayton's study makes a substantial and original contribution to the study of this complex artist, exploring the intricate relationships between word and image in his poetry and paintings, and his quest for a single, unifying language or sign.
The Masorah of Elijah ha-Naqdan
Following Levita’s statement, the Masorah transmitted by medieval illuminated manuscripts was generally considered as less significant for the study of the biblical and masoretical knowledge in the Jewish world. The biblical codices produced in Ashkenaz were considerably disregarded compared to Spanish codices. Challenging this assertion, this work engages in a reflection on the link between the standard Eastern tradition and the Ashkenazic biblical text-culture of the 13th century. Élodie Attia provides an edition of thirteen cases taken from MS Vat. Ebr. 14, offering the oldest series of Masoretic notes written inside figurative and ornamental designs. Its critical apparatus offers an u...
Comparative Cultural Studies and the New Weltliteratur
In this English translation and revision of her acclaimed German-language book, Elke Sturm-Trigonakis expands on Goethe's notion of Weltliteratur (1827) to propose that, owing to globalization, literature is undergoing a profound change in process, content, and linguistic practice. Rather than producing texts for a primarily national readership, modern writers can collate diverse cultural, literary, and linguistic traditions to create new modes of expression that she designates as "hybrid texts." The author introduces an innovative framework to analyse these new forms of expression that is based on comparative cultural studies and its methodology of contextual (systemic and empirical) approa...
Return to Reflexivity
This slim volume contains four little-known texts by Pierre Bourdieu on the question of reflexivity, which was a key theme in his work. For Bourdieu, reflexivity was not an exercise in introspection but rather a way of applying the tools of sociology to itself. The aim is to make explicit and control the effects of the presuppositions, standpoints and dispositions that the researcher brings to the conduct of social science research. Bourdieu advocates an attitude of epistemological vigilance that helps to uncover the invisible effects of the social determinants that weigh on the researcher, effects that are difficult to perceive by the mere desire to be lucid. Questioning the social position and presuppositions of the researcher at every opportunity loosens the hold of scholastic and other biases on the outcome of research. By clarifying and illustrating the principles of reflexivity, the four texts in this volume lay the groundwork for the kind of reflexive social science that Bourdieu practised and advocated throughout his career.
The Photographic Uncanny
This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society and also as an aesthetic apparatus by which some key photographs critique the hegemony of capitalist and industrialist domains. The book’s historical scope is large, beginning with William Henry Fox Talbot and closing with contemporary indigenous photographer Bear Allison and contemporary African American photographer Devin Allen. Through close readings, exegesis, of individual photographs and careful deployment of contemporary political and aesthetic theory, The Photographic Uncanny argues for a re-envisioning of the political capacity of photography to expose the haunted, homeless, condition of modernity.
Colonial Counterpoint
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines ...
Cultural Exchanges Between Brazil and France
Introduction to Cultural Exchanges between Brazil and France / Regina R. Felix and Scott D. Juall -- Part One. Early French Visions and Revisions of Brazil -- Representing the Tupinambá and the Brazilwood Trade in Sixteenth-century Rouen / Amy J. Buono -- The Myth of the Noble Frenchman and the Politics of Friendship and Enmity in Sixteenth-century Brazil / Luciana Villas Bôas -- The "Other" Brazil of Léry and Lévi-Strauss / Susan L. Rosenstreich -- Bernardin's L'Amazone as a Post-Enlightenment Brazilian Utopia / Christophe Ippolito -- Part Two. French Ideological Moves in Brazil -- Critical Transfers between Brazil and France and the Nineteenth-century Press / Andre Caparelli -- Tempora...
Twentieth-Century French Poetry
A selection of modern French poems with critical commentary, glossary of literary terms, biographies and bibliography.
French XX Bibliography
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
