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El manuscrito que se presenta corresponde al libro de resúmenes de las comunicaciones presentadas al segundo congreso internacional anual de estudiantes de doctorado de la Universidad Miguel Hernández de Elche. Dicho congreso se celebró de manera telemática los días 3 y 4 de febrero de 2022. El Congreso estuvo organizado por un comité formado por estudiantes de doctorado de nuestra Universidad en estrecha colaboración con el Vicerrectorado de investigación. Un compromiso adquirido por la organización, y por lo tanto por el Vicerrectorado de Investigación, fue la publicación de los resúmenes en un libro en formato electrónico editado por la editorial electrónica de nuestra Universidad. Dicho libro ha de ser puesto a disposición de los potenciales lectores sin costo alguno. Los autores del libro son los miembros del comité organizador arriba reseñados por orden alfabéticos y la autoría de la obra debe ser asignada a ellos a partes iguales. El Vicerrectorado presenta a la Editorial el manuscrito en nombre de todos los autores.
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The unanticipated arrest of General Augusto Pinochet in London on October 16, 1998 served to punctuate the twenty-fifth anniversary of the most cataclysmic event in Chilean history—a violent coup d'etat that abruptly ended decades of democratic rule. A steadily increasing series of explorations, interviews, and images in the popular press and media has begun to unearth the horrors of the dictatorship and its defenders and to reevaluate the stories of the democratically elected Allendists the coup had brutally purged. Based on interviews and analysis of a generation of young leaders of the Chilean political elite who came to power with Allende's election in 1970, When the Romance Ended focu...
En tu medio is a new program for intermediate Spanish that includes interactive and multimedia content, online tools and resources, and authentic short films to provide a contemporary and appealing learning experience. The course is designed to complement any course format, whether it be face-to-face, a hybrid/blended learning environment, or an online class. The course uses a task-based, student-friendly approach to build from the introductory level toward a higher-level proficiency. Each of 10 sequential course sections offers meaningful activities designed to motivate students and positively reinforce successful communication through pair and group interaction, negotiation of meaning, and the completion of real-world tasks within an engaging thematic and cultural context.
Women have experienced decades of economic and political repression across Latin America, where many nations are built upon patriarchal systems of power. However, a recent confluence of political, economic, and historical factors has allowed for the emergence of civil society organizations (CSOs) that afford women a voice throughout the region. Leadership from the Margins describes and analyzes the unique leadership styles and challenges facing the women leaders of CSOs in Argentina, Chile, and El Salvador. Based on ethnographic research, Serena Cosgrove's analysis offers a nuanced account of the distinct struggles facing women, and how differences of class, political ideology, and ethnicity have informed their outlook and organizing strategies. Using a gendered lens, she reveals the power and potential of women's leadership to impact the direction of local, regional, and global development agendas.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
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