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In the first half of the twentieth century, Americans' intense concern with sex crimes against children led to a wave of public discussion, legislative action, and criminal prosecution. Stephen Robertson provides the first large-scale, long-term study of how American criminal courts dealt with the prosecution of sexual violence against children. Robertson describes how the nineteenth-century approach to childhood as a single phase of innocence began to shift at the end of the century to include several stages of childhood development, prompting reformers to create legal categories such as statutory rape and carnal abuse to protect children. However, while ordinary New Yorkers' involvement in...
Volume contains: 140 NY 87 (People v. Larubia) 140 NY 122 (Matter of Gardner) 140 NY 130 (People v. Albow) 140 NY 135 (Locke v. Farmers' Loan & Trust Co.) 140 NY 150 (Adams v. Olin) 140 NY 249 (Barnard v. Gantz) 140 NY 260 (Beard v. Beard)
Murrells Inlet is a paradise as one of the few areas in the United States with access to both freshwater rivers and saltwater creeks. The Atlantic Ocean is on its east and the Waccamaw River is on its west. From its early beginnings as rice and indigo plantations to the rapid growth that began in the 1970s, Murrells Inlet has prospered because of its rich natural resources that natives and visitors enjoy. The saltwater creeks provided nourishment, entertainment, and a nursery to the creek rats, fishermen, families, and captains who ventured out to the muddy banks.
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
This comprehensive bibliography and research guide details all the works currently available on Vincenzo Bellini, the Italian opera composer best known for his work Norma, which is still regularly performed today at Covent Garden and by regional opera companies. 2001, the bicentennial anniversary of Bellini's death, saw several concerts and recordings of his work, raising his academic profile. This volume aims to meet the research needs of all students of Bellini in particular.
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