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Marianne Nicolson
The Return of Abundance or Kwakwakawakw includes major painting works and sculptural installations that reveal current cultural narratives while incorporating traditional and contemporary formats. Nicolson comments, Each of the works in this exhibition considers the temporal relationship of contemporary Kwakwaka'wakw experience to our historical experience. The Kwakwaka'wakw traditionally occupied a landscape that provided abundant resources enabling a sophisticated cultural practice to flourish My works examine the complexities of cultural change and adaptation on both the personal and communal level. Marianne Nicolson is a member of the Dzawadaenuxw Tribe of the Kwakwakawakw Nations. Her work has been included in exhibitions at National Museum of the American Indian (Washington DC), Museum of Anthropology (Vancouver) and International Museum of Film and Photography (New York)
The Testimonial Uncanny
Through the study of Indigenous literary and artistic practices from Canada, Australia, New Zealand, and the United States, Julia V. Emberley examines the ways Indigenous storytelling discloses and repairs the traumatic impact of social violence in settler colonial nations. She focuses on Indigenous storytelling in a range of cultural practices, including novels, plays, performances, media reports, Internet museum exhibits, and graphic novels. In response to historical trauma such as that experienced at Indian residential schools, as well as present-day violence against Indigenous bodies and land, Indigenous storytellers make use of Indigenous spirituality and the sacred to inform an ethics of hospitality. They provide uncanny configurations of political and social kinships between people, between the past and the present, and between the animate and inanimate. This book introduces readers to cultural practices and theoretical texts concerned with bringing Indigenous epistemologies to the discussion of trauma and colonial violence.
Sonny Assu
Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu's career, highlighting more than 120 full-color works, including several never-before-exhibited pieces. Through analytical essays and personal narratives, Candice Hopkins, Marianne Nicolson, Richard Van Camp, and Ellyn Walker provide brilliant commentary on Assu's practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humor, and the ways in which history informs contemporary ideas and identities, Sonny Assu: A Selective History is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the contemporary art world.
The Ethics of Cultural Appropriation
The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation. Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion Questions whether cultural appropriation is always morally objectionable Includes research that is equally informed by empirical knowledge and general normative theory Provides a coherent and authoritative perspective gained by the collaboration of philosophers and specialists in the field who all participated in this unique research project
It’s All about the Land
Illuminating the First Nations struggles against the Canadian state, It’s All about the Land exposes how racism underpins and shapes Indigenous-settler relationships. Renowned Kahnawà:ke Mohawk activist and scholar Taiaiake Alfred explains how the Canadian government’s reconciliation agenda is a new form of colonization that is guaranteed to fail. Bringing together Alfred’s speeches and interviews from over the past two decades, the book shows that Indigenous peoples across the world face a stark choice: reconnect with their authentic cultures and values or continue following a slow road to annihilation. Rooted in ancestral spirit, knowledge, and law, It’s All about the Land presents a passionate argument for Indigenous Resurgence as the pathway toward justice for Indigenous peoples.
Cracking the Intercollegiate General Surgery FRCS Viva
The FRCS examination is the last hurdle on the road to independent practice as a consultant surgeon in the United Kingdom and Ireland. The voce viva portion of the exam can be particularly challenging for candidates who must demonstrate not only their knowledge of various surgical topics, but also their reasoning and decision-making abilities. Cracking the Intercollegiate General Surgery FRCS Viva: A Revision Guide provides the framework and knowledge to pass the non-subspecialty sections of the FRCS (General Surgery) viva and clinical examination. This comprehensive revision text covers all essential topics in critical care, emergency and general surgery as well as critical appraisal of res...
Preserving What Is Valued
Preserving What Is Valued explores the concept of preserving heritage. It presents the conservation profession's code of ethics and discusses four significant contexts embedded in museum conservation practice: science, professionalization, museum practice, and the relationship between museums and First Nations peoples. Museum practice regarding handling and preservation of objects has been largely taken as a given, and it can be difficult to see how these activities are politicized. Clavir argues that museum practices are historically grounded and represent values that are not necessarily held by the originators of the objects. She first focuses on conservation and explains the principles an...
The Trickster Shift
The Trickster Shift not only presents some of the most stunningly original examples of contemporary Native art but also allows the artists to offer their own insights into the creative process and the nature of Native humour.
Encyclopedia of Native American Artists
Indigenous North Americans have continuously made important contributions to the field of art in the U.S. and Canada, yet have been severely under-recognized and under-represented. Native artists work in diverse media, some of which are considered art (sculpture, painting, photography), while others have been considered craft (works on cloth, basketry, ceramics).Some artists feel strongly about working from a position as a Native artist, while others prefer to produce art not connected to a particular cultural tradition.
