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Peruvian Antiquities
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History and Historians of Hispanic America
First published in 1966. This volume holds a selection of published materials on Hispanic American life, covering general works, works on individual countries and regions, religious accounts and voyages and travels, that range from the sixteenth to the twentieth century.
History and Historians of Hispanic America
First Published in 1966. Routledge is an imprint of Taylor & Francis, an informa company.
Peruvian Antiquities
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Peruvian Antiquities
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Latin-American Mythology (Illustrated Edition)
This edition presents a thorough and comprehensive study on the folklore and legends of the native inhabitants of Central and South America. The materials for the study of native traditions are striking and various, from the usual demoniac beliefs and animistic credulities, to elaborate formations such as the Aztec and Maya pantheons, or the enigmatic Peruvian dogma. The study also explores the mythology of Caribbean people, as well as the legends from Amazon, Brazil, and the tales from the far south of the continent. Webster's Dictionary from 1903-1908, then became professor of philosophy at the University of Nebraska.
Modernities
Joseph Masheck wants to take art, historical and modern, as a field of lively interrelations (as if in "random-access memory" retrieval), rather than just second the motion that art history should be nonlinear; and he takes the task of art criticism to be theory in practice. Thus significant new art is represented in the thirty essays in Modernities, besides already "classic" modern architecture, sculpture, and photography, and contemporary painting by artists. Alternating between a comprehensive sense of art history and engagement with the new and unplumbed contemporary arts, he considers himself a kind of aesthetic double agent. Because Masheck is concerned with the concrete standing of artworks, he speculates on how works of art, including Marcel Duchamp's "ready-mades," relate to other things. More general themes range from the origin of the modern sense of form in prehistoric art to the historical underpinnings of expressionism and on to latter-day "graffiti" culture.
