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The Western Perception of Islam between the Middle Ages and the Renaissance
In the Middle Ages, as Christian sources on the Islamic world show, Muslim culture was perceived as extremely threatening: there were many defenses of Christianity, like the treatise on the “mistakes” of the followers of Allah. This book shows, through an analysis of the works of Nicholas of Cusa and of other authors, that in the course of time this textual attitude was modified, as European authors aimed to point out the Christian truth in comparison with the “falsity” of Islamic theology, in order to reinforce Christian identity through the presupposition of its own absolute truth. The apologetic aim was gradually replaced by a systematic comparison based on partial translations of the Qur’an. The comparison with the “other” was also the basis for reinforcing identity, in order to demonstrate the truth and consequently the supremacy of one’s own theoretical position.
Why History?
What is the point of history? Why has the study of the past been so important for so long? Why History? A History contemplates two and a half thousand years of historianship to establish how very different thinkers in diverse contexts have conceived their activities, and to illustrate the purposes that their historical investigations have served. Whether considering Herodotus, medieval religious exegesis, or twentieth-century cultural history, at the core of this work is the way that the present has been conceived to relate to the past. Alongside many changes in technique and philosophy, Donald Bloxham's book reveals striking long-term continuities in justifications for the discipline.
Nicholas of Cusa and Times of Transition
Nicholas of Cusa (1401-1464) was active during the Renaissance, developing adventurous ideas even while serving as a churchman. The religious issues with which he engaged – spiritual, apocalyptic and institutional – were to play out in the Reformation. These essays reflect the interests of Cusanus but also those of Gerald Christianson, who has studied church history, the Renaissance and the Reformation. The book places Nicholas into his times but also looks at his later reception. The first part addresses institutional issues, including Schism, conciliarism, indulgences and the possibility of dialogue with Muslims. The second treats theological and philosophical themes, including nominalism, time, faith, religious metaphor, and prediction of the end times.
Nicholas of Cusa and Islam
To explore Christian-Muslim relations at the dawn of the modern age, this book examines Nicholas of Cusa’s seminal works on the Qur’an and world religions. It also considers Muslim responses to Christianity and other Christian writings on Islam.
The Italian Renaissance and the Origin of the Humanities
Connecting to issues in the humanities today, this book shows how the Italian Renaissance influenced and changed Early Modern Europe.
History and Morality
Should historians make value judgements about the past? Many historians think not, but Donald Bloxham contends that it is legitimate, often unavoidable, and frequently important. History and Morality illuminates how far tacit moral judgements infuse works of history, and how strange those histories would look if the judgements were removed.
Marsilius of Padua at the Intersection of Ancient and Medieval Traditions of Political Thought
This book focuses on the reception of classical political ideas in the political thought of the fourteenth-century Italian writer Marsilius of Padua. Vasileios Syros provides a novel cross-cultural perspective on Marsilius’s theory and breaks fresh ground by exploring linkages between his ideas and the medieval Muslim, Jewish, and Byzantine traditions. Syros investigates Marsilius’s application of medical metaphors in his discussion of the causes of civil strife and the desirable political organization. He also demonstrates how Marsilius’s demarcation between ethics and politics and his use of examples from Greek mythology foreshadow early modern political debates (involving such prominent political authors as Niccolò Machiavelli and Paolo Sarpi) about the political dimension of religion, church-state relations, and the emergence and decline of the state.
What is “Islamic” Art?
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Juan de Segovia and the Qur’an
In spring 1456, with the help of the faqīh Yça Gidelli, Juan de Segovia accomplished a trilingual Qur’an (Castilian, Arabic and Latin) he regarded as fundamental to the conversion of the Muslims after the Ottoman conquest of Byzantium. This book delves into Segovia’s program, from his university lectures at Salamanca to the disputes held with Muslims in Castile, from the doctrinal debates at the Council of Basel to his exile in the Duchy of Savoy and the destiny of his books. Segovia deemed the await of miracles, preaching in Islamic lands, and the Crusade promoted by the papacy, to be useless. On the contrary, he considered knowledge of the Qur'an as unavoidable for Christian scholars...
Preaching and New Worlds
This collection of essays examines the polyvalent concept of "New Worlds" in the context of medieval and early modern sermon studies. While the terms "Old World" and "New World" are commonplace in studies of Europe and the Americas, this volume explores how preaching in the Atlantic world and beyond creatively engaged audiences in addressing new cultural and religious perspectives regardless of their geographical location and time period. The identification of the "other" in sermons is already an implicit recognition of a novel world, which could be equally enticing and intimidating. The scholars represented in this volume examine a wide panorama of medieval and early modern efforts as they identify how sermons, which often served as a highly effective media of mass communication, reflect shifting identities, sometimes contested and sometimes embraced, within long-standing traditional constructs. Particular themes include apocalypticism, art and mission, cultural interaction, multilingualism, forms of religious life, and theological innovation.
