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Mothers of Invention
In the Mother of Invention in their analyses of literature, painting, sculptures, film, and fashion, the contributors explore the politics of invention articulated by these women as they negotiated prevailing ideologies.
Inspiring Fellini
Introduction A Not So Solitary Genius: Traversing Authorial Politics and Methodological Anxieties An Ambiguous Adherence: Esotericism in Fellini?s Work and Collaborations 1 Tullio Pinelli Neutralizing Tragedy: A Pattern from La strada On A Metaphysical Fellowship: Transcending Christianity Nothing but Images: La voce della luna 2 Ennio Flaiano Frivolously Yours: The Public Dispute over Authorship The Self as Monster: Satire and Compassion in La dolce vita A Light in the Night: Negotiating Epiphany from I vitelloni to 8 1/2 3 Bernardino Zapponi The Script as Collage: The Unbound Notebooks of the 1970s Popular Culture and Neurosis: Toby Dammit and Beyond 4 The Poets An Organic Mind: Brunello Rondi from La dolce vita to Provad?orchestra You Are My Labyrinth: The Poetic Brotherhood with Pier Paolo Pasolini Eroticism as Dream and Nightmare: A Dialogue with Brunello Rondi Remembering Corporality: Tonino Guerra in Amarcord and E la nave va Maternal Pre-grammaticality: Pasolini, Guerra, and Zanzotto Conclusion Notes Bibliography Index
A History of Women's Writing in Italy
This volume offers a comprehensive account of writing by women in Italy.
In Gold We Trust
In Gold We Trust is a historical and sociological account of how, by the late 1960s, three small Italian towns had come to lead the world in the production of gold jewelry--even though they had virtually no jewelry industry less than a century before, and even though Italy had western Europe's most restrictive gold laws. It is a distinctive but paradigmatic story of how northern Italy performed its post-World War II economic miracle by creating localized but globally connected informal economies, in which smuggling, tax evasion, and the violation of labor standards coexisted with ongoing deliberation over institutional change and the benefits of political participation. The Italian gold jewe...
Educational Theatre for Women in Post-World War II Italy
This book explores an important moment in Italian women’s theatre and cultural history: plays written for all-women casts between 1946 and the mid-1960s, authored for the most part by women and performed exclusively by women. Because they featured only female roles, they concentrated on aspects of specifically women’s experience, be it their spirituality, their future lives as wives and mothers, their present lives as workers or students, or their relationships with friends, sisters and mothers. Most often performed in a Catholic environment, they were meant to both entertain and educate, reflecting the specific issues that both performers and spectators had to confront in the years between the end of the war and the beginning of the economic miracle. Drawing on material never before researched, Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own recovers the life and works of forgotten women playwrights while also discussing the role models that educational theatre offered to the young Italian women coming of age in the post-war years.
Seneca: Medea
A full-scale critical edition of Seneca's Medea which offers a substantial introduction, a new Latin text, an English verse translation, and a detailed commentary. Boyle locates the play firmly in its contemporary, historical, and theatrical context and in the ensuing literary and dramatic tradition.
Souls of Naples
In this volume you will find stories about hyperactive relics, ghosts in spiritual or bodily form, as well as accounts of the dead being conjured, resurrected, and brought back to life from decomposing matter. This is not so much for the purpose of assembling a kind of Neapolitan Wunderkammer, but rather to allow these bodies – in physical or spiritual form, or sometimes both at the same time – to speak as protagonists, and to offer their own contribution to the historical anthropology of the Kingdom of Naples. This volume explores the boundaries between body and spirit, life and death, as well as the natural, preternatural, and supernatural in the long early modern era in southern Italy.
National Union Catalog
Includes entries for maps and atlases.
Off Screen
This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.
Italian Playwrights from the Twentieth Century
Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.
