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The Cambridge History of Latin American Women's Literature
The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.
World Exhaustion in Latin American Literatures and Cultures / El agotamiento del mundo en las literaturas y culturas de América Latina
The volume analyzes the implications of the “world exhaustion” concept that has emerged in a post-global cultural context and whose effects are particularly salient in Latin American literatures and cultures. This conceptual term aptly describes the ambivalent lived experiences of societies that have been marked by centuries of globalization—and the artistic production that seeks to give form and meaning to these experiences.
The committed word
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Handbook of Latin American Studies
Contains records describing books, book chapters, articles, and conference papers published in the field of Latin American studies. Coverage includes relevant books as well as over 800 social science and 550 humanities journals and volumes of conference proceedings. Most records include abstracts with evaluations.
1966
«El viaje de los sesenta, concentrado y reconcentrado en 1966, es un proceso alquímico: pasó del plomo —blanco y negro— de la época previa —los cincuenta y antes— al oro del Summer of Love y la gloria de 1966 y 1967, plenos de luz y de color, diseños sonoros y visuales riquísimos, para comenzar un acelerado proceso de deterioro hasta convertir el oro de los tiempos (la bella inscripción en la lápida de André Breton) de nueva cuenta en plomo.» - Alberto Blanco En este ensayo luminoso, Alberto Blanco indaga en una cuestión fundamental: ¿en qué momento la música popular se convirtió en rock? La pregunta detona una reflexión crucial sobre el espíritu de una época y las ...
Polvo en el acuario
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