Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Marie Jeanne Riccoboni’s Epistolary Feminism
Marie Jeanne Riccoboni’s Epistolary Feminism: Fact, Fiction, and Voice argues that Riccoboni is among the most significant women writers of the French Enlightenment due to her "epistolary feminism". Locating its source in her first novel Lettres de Mistriss Fanni Butlerd (1757), between fact and fiction, public and private, Marijn S. Kaplan provides new evidence supporting both the novel’s autobiography theory and de Maillebois hypothesis. Kaplan then traces how Riccoboni progressively develops a proto-feminist poetics of voice in her epistolary fiction, empowering women to resist patriarchal efforts to silence and appropriate them, which culminates in her final novel Lettres de Milord Rivers (1777). In nineteen relatively unknown letters (included, with translations) written over three decades to her publisher Humblot, several editors, Diderot, Laclos, Philip Thicknesse etc., Riccoboni is shown similarly to defend her oeuvre, her reputation, and her authority as a woman (writer), refusing to be manipulated and silenced by men.
Marie Jeanne Riccoboni's Epistolary Feminism
In this book, Marijn S. Kaplan juxtaposes Riccoboni's epistolary fiction with some of her relatively unknown letters to her publisher, editors, Diderot, Laclos etc. (included, with translations), tracing related proto-feminist strategies in both to her first novel Lettres de Mistriss Fanni Butlerd (1757).
The Story of Ernestine
Set in prerevolutionary France, The Story of Ernestine tells of the love between an innocent young woman and an aristocrat. Ernestine, German-born and orphaned, is an apprentice painter putting the finishing touches on a portrait when the marquis de Clémengis, elegant and handsome, enters the studio. Recognizing him as the subject of the portrait, she gestures for him to be seated and goes on working, looking back and forth between him and his likeness. The world-weary aristocrat is smitten. In graceful, understated prose, Marie Riccoboni shows how her heroine learns to negotiate questions of honor and appearances and to find a precarious balance between economic security and the potentially compromising nature of male generosity. The story raises questions about sexual enlightenment and social prejudice and reexamines the links of money, reputation, and marriageability that preoccupied eighteenth-century writers.
The Fiction of Enlightenment
"This book argues that women authors of the French eighteenth century claimed reason and contributed to Enlightenment. It begins by framing the Enlightenment as fiction, in two senses: first, what passes under the name of Enlightenment in much current critical discourse is a fiction, or a caricatured construct; second, works of fiction can illuminate Enlightenment. The book offers fresh readings of texts by the three most prominent women among eighteenth-century writers in French: Francoise de Graffigny, Marie Jeanne Riccoboni, and Isabelle de Charriere, These authors challenged the widely held idea that women's reason was inferior to men's. Literary forms - novels, stories, plays, essays, and letters - allowed these authors to approach the question of reason in particularly nuanced ways. Faithful to the eighteenth century, this project is also relevant to the twenty-first." --Book Jacket.
French Women Writers
Marie de France, Mme. De Sävignä, and Mme. De Lafayette achieved international reputations during periods when women in other European countries were able to write only letters, translations, religious tracts, and miscellaneous fragments. There were obstacles, but French women writers were more or less sustained and empowered by the French culture. Often unconventional in their personal lives and occupied with careers besides writing?as educators, painters, actresses, preachers, salon hostesses, labor organizers?these women did not wait for Simone de Beauvoir to tell them to make existential choices and have "projects in the world." French Women Writers describes the lives and careers of f...
Fictions of Authority
Annotation Writing from positions of cultural exclusion, women have faced constraints not only upon the "content" of fiction but upon the act of narration itself. Narrative voice thus becomes a matter not simply of technique but of social authority: how to speak publicly, to whom, and in whose name. Susan Sniader Lanser here explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. Drawing upon narratological and feminist theory, Lanser sheds new light on the history of "voice" as a narrative strategy and as a means of attaining social power.
Writings by Pre-Revolutionary French Women
The present volume covers 30 Pre-Revolutionary French women, providing a representative sampling of their manifold and varied contributions to intellectual and cultural history. This volume is unique in its grouping of essentially French writers from the Pre-Revolutionary period. The authors included here range from those prominent because of their social position or literary fame, to those slowly becoming part of a new canon of Old Regime women writers - authors whose works were known to their contemporaries but who have slipped into near invisibility in the following centuries until their recent rediscovery and reassessment.
Briefe, franz
If Mme de Riccoboni's novels were widely known to the reading public of the eighteenth century, her best and most original productions were reserved for the privileged few who received her letters. Mme de Riccoboni led a secluded life; she had no enemies and very few close friends. Her opinions tend to be disinterested and objective, unmotivated by spite or personal animosity. Her judgements on literary works, people and events were, however, influenced by three distinctive personal traits: her feminism, her pessimism, which grew stronger with advancing age, and her anglophilia which gradually gave way to a pronounced anglophobia. For today's reader, Mme Riccoboni's letters have a twofold in...
Textual Promiscuities
"Drawing on correspondence, novels, literary criticism, and other documents by Riccoboni, Laclos, and Burney, Antoinette Sol demonstrates how these novelists, traditionally separated by nationality, gender, and genre, are in fact concerned with similar issues of individual authority and social criticism. She shows how arbitrary literary categorization of these writers as sentimental or libertine has kept their work from a reading which reveals their commonalities."--BOOK JACKET.
