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Collection Complete Des Oeuvres de Mme Riccoboni...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Collection ComplEte Des Oeuvres De Mme Riccoboni; Collection ComplEte Des Oeuvres De Mme Riccoboni; Marie-Jeanne Riccoboni Marie-Jeanne Riccoboni Impr. de la SociEtE Typographique, 1783
Marie Jeanne Riccoboni’s Epistolary Feminism
Marie Jeanne Riccoboni’s Epistolary Feminism: Fact, Fiction, and Voice argues that Riccoboni is among the most significant women writers of the French Enlightenment due to her "epistolary feminism". Locating its source in her first novel Lettres de Mistriss Fanni Butlerd (1757), between fact and fiction, public and private, Marijn S. Kaplan provides new evidence supporting both the novel’s autobiography theory and de Maillebois hypothesis. Kaplan then traces how Riccoboni progressively develops a proto-feminist poetics of voice in her epistolary fiction, empowering women to resist patriarchal efforts to silence and appropriate them, which culminates in her final novel Lettres de Milord Rivers (1777). In nineteen relatively unknown letters (included, with translations) written over three decades to her publisher Humblot, several editors, Diderot, Laclos, Philip Thicknesse etc., Riccoboni is shown similarly to defend her oeuvre, her reputation, and her authority as a woman (writer), refusing to be manipulated and silenced by men.
Marie Jeanne Riccoboni's Epistolary Feminism
In this book, Marijn S. Kaplan juxtaposes Riccoboni's epistolary fiction with some of her relatively unknown letters to her publisher, editors, Diderot, Laclos etc. (included, with translations), tracing related proto-feminist strategies in both to her first novel Lettres de Mistriss Fanni Butlerd (1757).
The Novels of Mme Riccoboni
Marie-Jeanne Riccoboni was one of the most popular novelists of her day. Joan Hinde Stewart examines Lettres de Fanni Butlerd (1957) and the seven subsequent novels, paying particular attention to the technical aspects of her work, to her handling of the letter form, to her ideas on men, women, and love, and to her feminism.
The Story of Ernestine
Set in prerevolutionary France, The Story of Ernestine tells of the love between an innocent young woman and an aristocrat. Ernestine, German-born and orphaned, is an apprentice painter putting the finishing touches on a portrait when the marquis de Clémengis, elegant and handsome, enters the studio. Recognizing him as the subject of the portrait, she gestures for him to be seated and goes on working, looking back and forth between him and his likeness. The world-weary aristocrat is smitten. In graceful, understated prose, Marie Riccoboni shows how her heroine learns to negotiate questions of honor and appearances and to find a precarious balance between economic security and the potentially compromising nature of male generosity. The story raises questions about sexual enlightenment and social prejudice and reexamines the links of money, reputation, and marriageability that preoccupied eighteenth-century writers.
